Vignette: Emily Maynard - Open Studio Weekend Artist

History in What You Wear

"Not Fooled by Falsity" by Emily Maynard, faceted pyrite, antique Yoruba glass, vintage turquoise Czech glass and gilt brass buckle, 2017

There may be some who deny handmade jewelry a place at the Fine Art table, but rings are often the most cherished of objects, and the history of designing adornments for the human body goes back almost as far as visual art. Emily Maynard creates jewelry that takes full account of that rich and varied history.

Maynard quickly discovered a passion for the history of jewelry in her graduate work at The Bard Graduate Center: Decorative Arts, Design History, and Material Culture in New York City. Her Masters thesis explored the relationship between Italian Renaissance and ancient Greek and Roman jewelry, which inspired a semester at the Jewelry Arts Institute in Manhattan.

She founded Elva Fields Jewelry in 2003, and the company’s aesthetic blends that historical context with a highly personal framework for her designs. There are three lines: Elva, June, and Deb—which are named for the artist’s great-grandmother, grandmother, and mother, respectively. Maynard exhaustively collects materials and repurposes them into fresh, new configurations that carry the associations of the past, the details and feelings from historical period, into their new life.

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"Everything's Changing" by Emily Maynard, antique Nigerian glass beads, vintage gold tone clasp, 2017

The fullness of what is seen here, separated from the scale of the human form, reflects a sculptural quality that connotes weight and gravitas, yet the materials, such as antique Nigerian glass beads in “Everything’s Changing”, are never repressive in their effect. Instead, there is here a spiritual quality present that echoes the culture of origin. In another example, a customer's collection of vintage charms from her grandmother's and mother's charm bracelets is incorporated into a classic arrangement of pearls that harkens back to late 19th century jewelry.

The Little Ladies series of necklaces are made by hand in Maynard’s studio using vintage trim (here a kelly green fringe) and an assortment of beads from our collection. This necklace pays it forward by supporting underprivileged youth in Louisville, with a portion of proceeds providing materials for kids to create a similar necklace in monthly classes taught by Elva Fields artisans at The Cabbage Patch in Old Louisville.

"Little Ladies Necklace", by Emily Maynard, vintage cotton trim, assorted vintage and gemstone beads, 2017

Emily Maynard will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her studio in the Clifton neighborhood will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

Hometown: Danville, Kentucky
Education: BA, French and Art History, Hollins University, Roanoke, VA, 2000; M.A., Decorative Art History, The Bard Graduate Center, New York, NY 2004
Gallery Representation: PYRO Gallery (Louisville).
Website: www.elvafields.com
Instagram: elvafields

"Custom Pearl Charm" by Emily Maynard, vintage sterling silver charms, freshwater pearls, faceted Indian silver beads, sterling silver clasp, 2015, From $300

"U-turn" by Emily Maynard, hand-wrought brass beads from Mali, Art Deco enamel and brass compact pendant, gilt copper toggle clasp, 2017

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Vignette: Nura Mascarenas - Open Studio Weekend Artist

“The fragrance of color is the sustenance to my soul” – Nura Mascarenas

Emotion is key to most art, but exactly how each individual artist embraces and allows it to influence the work may vary. Some will filter it through a veneer of cool, intellectual reserve, and others will indulge in an almost spiritual relationship with their creative process. Nura Mascarenas seems to fall firmly into the latter group.

“My process in painting is “feeling” into color one fragrance of color harmonizing and complimenting another. Colors feel like a field of busting flowers in aromatic yellows, oranges, reds, and saffron, or the aroma of a pine forest in shades of green.” 

“Each painting is a story and lived experience from the past or present, from feelings of elations to the quieter moments to shades of gray. When I paint I feel the tempo, my hand glides across the canvas, which starts to flow like poetry. The painting gracefully unfolds revealing its mystery with each brush stroke of color, layer upon layer like each line in a poem. Finally, I’ll feel a cacophonic symphony, a finished painting in many warms, cools, light and shadow before me, the story, a feeling, a completed poem through color. Painting is an intuitive process, surrendering to the graceful flow, weaving a tapestry of many threads of color from my inner world.”

"Moody" by Nura Mascarenas, oil on arches paper, 9.5x9.5in, 2016, $300

The reference to tapestry seems apt, since there is a quality of weaving in the build up of layers, both tangibly in the mark making, but also in the interplay of color.

“I am always inspired from the greatest works of art, to the simplest line drawings; nature is by far my biggest influence from mountain ranges with their endless patterns, to ripples of water on the sandy beach, and everything in between.”

"Octave" by Nura Mascarenas, oil on paper, 10x10in, 2016, $400

Nura Mascarenas will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her studio in the Portland neighborhood will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

Hometown: Louisville, Kentucky
Education: Rocky Mountain Collage of Art, Denver Colorado
Gallery representation: Greenwich House Gallery (Cincinnati Ohio).
Website: www.nuramascarenas.com
Instagram: Nura English

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"New Day" by Nura Mascarenas, oil on canvas, 10x11in, 2016, $400

"Fallen Layers" by Nura Mascarenas, oil on paper, 11x11in, 2016, $400

"Over and Under" by Nura Mascarenas, oil on arches paper, 10x11in, 2016, $425 

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Vignette: Shawn Marshall - Open Studio Weekend Artist

“Painting is a restorative and meditative ‘practice’” – Shawn Marshall

"Rusted Edges" by Shawn Marshall, oil on canvas, 20x20x1.5in, 2017, POR

When Shawn Marshall speaks about ‘restorative and meditative practice,’ it is a clue to what lies behind the simplicity of her paintings. Previous work has been more complex compositionally, but the spare and uncluttered landscape form that she is preoccupied with here seems less a document of a time and place and more about an internal mental or emotional state.

Photo by Jessica Ebelhar.

“For me, painting is an outlet to release intuitive energy and let go of preconceived notions of self-imposed rules or judgments of how I and my work interpret and portray the world. Though my architectural background and training often manifests itself in my work, it doesn’t constrain the freedom of expression. Using palette knives and sharp edged tools I create a three-dimensional surface on the canvas, always striving to create a balance between the built-up yet refined impasto and the underlying landscape beyond. Painting is a restorative and meditative ‘practice’ as I create what I refer to as ‘inward landscapes.’”

The harmony achieved belies the type training and experience we might assume for an artist coming from the exacting and technical architecture training, and the viewer must ask how much of Marshall’s work is a journey in the opposite direction; the training providing foundation but the action of painting a break away from that rigor and formal discipline to achieve a peaceful resolve.

Professionally, Marshall has worked as an Architectural Designer for several years, but most recently has taught at public schools in the Louisville area, including her current position as Visual Arts Teacher at North Oldham High School in Goshen, KY.

"Shoreline" by Shawn Marshall, oil on canvas, 24x18x1.5in, 2017, POR

Marshall is a member of PYRO Gallery in Louisville, and recently was included in two group exhibits, Selfies & Self-Portraits: 21 C Artists… at Viridian Artists Gallery, New York, NY, and The Modern Landscape at New Editions Gallery, Lexington, KY. She will be having a solo exhibit at Craft[s] Gallery & Mercantile in March 2018.

Shawn Marshall will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her studio in Downtown Louisville will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

Hometown: Louisville, Kentucky
Education: 1992, Bachelor of Architecture, University of Kentucky, Lexington, KY; 1996, Master of Architecture, Minor Fine Arts, Cornell University, Ithaca, NY; 2009, Master of Art in Teaching, Bellarmine University, Louisville, KY
Website: www.shawnlmarshall.com
Instagram: shawnmarshall

"Spark" by Shawn Marshall, oil on canvas, 12x16x1.5in, 2017, POR

"Phosphorescence" by Shawn Marshall, oil on canvas, 20x24x1.5in, 2017, POR

"rising Light" by Shawn Marshall, oil on canvas, 24x24x1.5in, 2017, POR

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Vignette: Jill Baker - Open Studio Weekend Artist

The Importance of Light

"Gondolas" by Jill Baker, oil, 30x20in, 2017, NFS/Prints available $200

Jill Baker chooses many subjects, and her facility with a brush is informed by a lifetime of painting, but in the images captured when she is away from home we see a her most highly developed sense of composition. She travels to New York, France and Italy to paint and exhibit her work, and has exhibited her work throughout the world: Paris (Palais des Congres), Florence (Palazzo Strozzi), Seoul, South Korea (U.S. Embassy), New York (Goethe Haus, among others) and elsewhere.

In “Gondolas,” there is a confident exploration of the space, both expansive and intimate; a tight configuration of boats only one set of repetitious forms, nestled together in shadow, while the architecture fills out the frame with other shapes stacked up in the distinctive Italian sunlight.

"My Room In Arles" by Jill Baker, oil, 8x10in, 2017, $5000/Prints available $200

“My Room in Arles,” despite the change in location, feels like it could be the inside of one of those windows. Perhaps the light is more diffuse, but she once again captures the pattern and relationship of shapes within the room.

Betraying the restless itch of creativity that is characteristic of so many artists, Baker is also a writer who has been a journalist, a travel writer (“Elba Journal”). a novelist (“My Turn”), and a poet (“Poems of Accord and Satisfaction”).

As an artist, Baker has done numerous illustrations for publishing houses and major magazines and has worked in production for newspapers and for Institutional Investor magazine on Madison Avenue, in New York. She has illustrated several books, including eight by Lee Pennington, including his “Appalachian Newground,” published in 2016.

Jill Baker will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her  studio in Middletown will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

"I am very proud of my new studio, which is a Department of Energy Net Zero building, the first one in Louisville, with 22 solar panels on the roof, radiant heated floors, all LED lights within, passive solar heating and cooling (I took inspiration from Bernheim Forest buildings), with huge windows on the north for indirect light. I designed it myself."

Hometown: Louisville, Kentucky
Age: 74
Education: BA in Fine Arts, Baylor University (Waco, Texas); studied at the Academia di Belle Arti (Florence, Italy); MFA in Painting, Pratt Institute (New York City)
Gallery Representative: Manhattan Arts (New York City); Contemporary Arts Gallery (New Harmony, Indiana)
Website: http://www.jillbaker.com

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Jill Baker's studio

 "Lavaski" by Jill Baker, Watercolor, 18X24in, 2017, $600

"Guitarist" by Jill Baker, oil, 20x24in, 2017, $750 

"Man Entangled" by Jill Baker, Pen & ink, 11X14in, 2017, $1000/Prints available $200

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Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved

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Vignette: Sander (Sandra Chu) - Open Studio Weekend Artist

“I knew at an early age that art was going to be a strong influence,” – Sandra Chu

"River View" by Sandra Chu, mixed media, 20x24in, 2017, $450

For Sandra Chu, who paints under the nom de brosse “Sander,” art is a family tradition, beginning with her grandfather who painted cathedral frescos in Milan, cousin Leon Battista Alberti, artist and architect from Florence, Aunt Eleanor Marfisi, who was an author, artist, and musician, her Uncle Caesar Berra who encouraged her to paint as a child, and her mother who still painted at the age of 96. “I knew at an early age that art was going to be a strong influence in my life and I wanted to learn as much as possible. Whenever I travel I go to every museum and gallery to study and experience the work. Impressionism struck a particular chord with me because it broke the rules of academic painting by giving colors primacy over lines. Art has always been a passion of mine and now, I can pursue my dream full time.”  

"Sunkissed" by Sandra Chu, acrylic, 65x40in, 2015, $2600

“Nom de brosse” translates as “brush artist,” but Chu works her acrylic paints mostly with a palette knife, building layers through glazing and scraping. The results are classic examples of bold, abstract expressionist compositions that are sometimes minimalist: “My paintings are not representational allowing the viewer to use their imagination to tell their own story. My paintings reflect what I feel in my heart and imagination, not what I see in front of me, which translates not to a painting full of emotion and thought.” 

Sander will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her studio in the Clifton neighborhood will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

After Open Studio Weekend, she will be participating in Arts on CityPlace in LaGrange, Kentucky, November 11 & 12.

Hometown: Louisville, Kentucky
Education: BA, Cal State Dominguez Hills in Studio Art, specializing in sculpture.        
Gallery Representative: Manhattan Arts (New York City); Contemporary Arts Gallery (New Harmony, Indiana)
Website: www.artbysander.com/gallery

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Studio shot of Sander

"Shadow Hunter" by Sandra Chu, acrylic, 28x22in, 2016, $550

"Silvery Moonlight" by Sandra Chu, acrylic, 65X40in, 2016, $2600

"Believe" by Sandra Chu, acrylic, acrylic, 40x54in, 2015, $2000

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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