denise furnish

Fiber

Vignette: Vallorie Henderson


“Being part of the earth, its secrets are part of our fiber, our purpose, our memory, and our spirit.”  — Vallorie Henderson


"A Bigger Piece of the Pie" by Vallorie Henderson, 2x3ft, hand-dyed and felted Merino wool with silk organza, machine stitching, $675 | BUY NOW

"A Bigger Piece of the Pie" by Vallorie Henderson, 2x3ft, hand-dyed and felted Merino wool with silk organza, machine stitching, $675 | BUY NOW

Because they are created by human hand, we are tempted to think that textiles are less connected to nature than some other mediums. Yet the work of Vallorie Henderson captures the tones and textures of the natural world with certainty. Her Appalachian heritage has always imbued her artist’s sensibility with a feeling for the land, but isn’t there something inherent in the fibers of the material, which are born of the fluid, organic quality of biology, that carries the earth with it through any process?

“My work will always have its origins in nature, if not by the inherent qualities within wool that allow it to felt, then perhaps by the preference for a particular line or form found only in the natural world. I enjoy creating landscapes with an abstract expressionist approach, hoping to represent the essence of the chosen vista through transparent layers of silk and wool, allowing a visual blending of complex colors when the viewer’s eyes see multiple hues through other hues.”

"Bottom Land" by Vallorie Henderson, 7x35in, hand-dyed and felted Merino wool with silk organza, machine stitching, $575 | BUY NOW

"Bottom Land" by Vallorie Henderson, 7x35in, hand-dyed and felted Merino wool with silk organza, machine stitching, $575 | BUY NOW

“With my most recent body of work, Birds Eye View, I chose to focus on aerial views of the farmlands in southern Indiana, western Kentucky and some areas of southern and eastern Kentucky where I am from. At first glance, these works may appear to represent a fascination with geometric shapes, patterns and repetitive grids. Viewing the landscape from higher altitudes does not allow a full understanding of the ongoing process that give form to the land below or of how its appearance reflects human occupation and the day-to-day engagements involving people, land, material, and circumstances. Beyond its dramatic scenery, our landscape is remarkable for the cultural activities and ideas it represents.”

"Gray Day along the Pike" by Vallorie Henderson, 14.5x28in, hand-dyed and felted Merino wool with silk organza, machine stitching, $625 | BUY NOW

"Gray Day along the Pike" by Vallorie Henderson, 14.5x28in, hand-dyed and felted Merino wool with silk organza, machine stitching, $625 | BUY NOW

“My Cherokee ancestors did not think it possible to own land, believing instead that we are born from Mother Earth. As an artist, I accept that we are made of this earth and in some manner, have always known the earth and its environs. Being part of the earth, its secrets are part of our fiber, our purpose, our memory, and our spirit. We are this place and all of its stories and events. Making connections between our experiences, their location and time is to be part of a greater whole while living in the present.“

Vallorie Henderson’s Bird’s Eye View series is currently featured in the Louisville Visual Art exhibit, Tessile Ora, along with work by Denise Furnish and Elmer Luciell Allen. It will be on display at Louisville’s Metro Hall through May 26, 2017.

Hometown: Somerset, Kentucky
Age: 59
Education: BA in Art, Berea College, Berea, KY; MFA in Fibers, Miami University, Oxford, OH
Website: http://www.valloriehendersontextiles.com

"Amber Waves of Grain" by Vallorie Henderson, 2x3ft, hand-dyed and felted Merino wool with silk organza, machine stitching, $675 | BUY NOW

"Amber Waves of Grain" by Vallorie Henderson, 2x3ft, hand-dyed and felted Merino wool with silk organza, machine stitching, $675 | BUY NOW

"Woodland Vessel" by Vallorie Henderson

"Woodland Vessel" by Vallorie Henderson

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Fiber, Painting, Mixed Media

Vignette: Denise Furnish

"Gain/Loss (detail)" by Denise Furnish, 31x31in, yoyo quilt patch, archival ink on cotton, acrylic, $900 | BUY NOW

"Gain/Loss (detail)" by Denise Furnish, 31x31in, yoyo quilt patch, archival ink on cotton, acrylic, $900 | BUY NOW


“I was asked, ‘What is a quilt?’ It is a question that, at first, seems obvious, but the answer goes much deeper than a hand-made bedcovering. The process of defining a quilt is the essence of my art. The quilt is a sign of women’s work. The making of a quilt implies a chain of signification through conception, use, deterioration, and, in my case, transformation.” — from Denise Furnish’s Artist Statement


"Gold Star" by Denise Furnish, 77.5x76in, discarded lone star quilt, acrylic, $3200 | BUY NOW

"Gold Star" by Denise Furnish, 77.5x76in, discarded lone star quilt, acrylic, $3200 | BUY NOW

In the history of Modern Art, or the still-being-written chronicle of Contemporary Art, the quilt can still seem like an outlier, despite several generations of fiber artists using it as the foundation of their work. Yet the very associations that might lie at the heart of perceived limitations – namely its functional role as comforting family heirloom, are also the source of the quilt’s unique power in communicating themes and ideas. Denise Furnish exploits these attributes but also subverts them by using discarded quilts as a vehicle for painting.

"Bed" by Robert Rauschenberg 75.25x31.5x8in, oil and pencil on pillow, quilt, and sheet on wood supports (1955) © 2017 Robert Rauschenberg Foundation

"Bed" by Robert Rauschenberg 75.25x31.5x8in, oil and pencil on pillow, quilt, and sheet on wood supports (1955) © 2017 Robert Rauschenberg Foundation

“The quilt as a sign for bed interests me, yet I nearly always remove quilts from the bed and put them on the wall. For his collage, “Bed”, Robert Rauschenberg took a quilt from a bed and destroyed it to make art in 1955. The difference is that I am interested in taking already damaged quilts and transforming them into art. I later realized that seeing that work in the Museum of Modern Art in 1968 has influenced me.”

The inherent qualities of each quilt are crucial in the conceptual nature of Furnish’s approach, informing her thoughts and application of medium, but there is also a sense of rejuvenation emanating from the transformation of a tattered, worse-for-wear object becoming a wholly new creative action.  

“My work developed as a chain of signification beginning with the recognition of quilt as a sign of pre-feminist ‘women’s work.’ This work was created and executed with attention to design and purpose. It was used, washed, worn. Often, it was separated from its maker. It was found by me and painted–a sign not only of transformation, but also of post-feminist women’s achievement.”

Denise Furnish’s work is currently featured in the Louisville Visual Art exhibit, Tessile Ora, on display at Louisville’s Metro Hall through May 26, 2017.

Hometown: Louisville, Kentucky
Education: BA, University of Kentucky, 1972; Attended Louisville School of Art 1980-1981; BFA University of Louisville, 2008; MA University of Louisville, 2009
Website: http://www.denisefurnish.com

"Red Basketweave" by Denise Furnish, 56x37in, worn and discarded flower basket crib quilt, acrylic, $1200 | BUY NOW

"Red Basketweave" by Denise Furnish, 56x37in, worn and discarded flower basket crib quilt, acrylic, $1200 | BUY NOW

"Flower Garden Boogie Woogie" by Denise Furnish, 48x53in, worn and discarded flower basket crib quilt, acrylic,telephone wire, tablecloth, $1200 | BUY NOW

"Flower Garden Boogie Woogie" by Denise Furnish, 48x53in, worn and discarded flower basket crib quilt, acrylic,telephone wire, tablecloth, $1200 | BUY NOW

"Lavender Log Cabin" by Denise Furnish, 40x28in, discarded log cabin crib quilt top, acrylic, $900| BUY

"Lavender Log Cabin" by Denise Furnish, 40x28in, discarded log cabin crib quilt top, acrylic, $900| BUY

"FIreball" by Denise Furnish, 43x29in, discarded fireball crib quilt, acrylic, $1200| BUY NOW

"FIreball" by Denise Furnish, 43x29in, discarded fireball crib quilt, acrylic, $1200| BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserve d.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.