gallery talk

Fiber

Vignette: Kathleen Loomis

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“Daily People” by Kathleen Loomis, Fabric, Individual figures 3 to 10in tall, 2017, $20 each on wood base

“Daily People” by Kathleen Loomis, Fabric, Individual figures 3 to 10in tall, 2017, $20 each on wood base

Artists can and often do have many sides to their creative expression; writers paint, singers sculpt and sometimes it seems as if everybody takes pictures (doesn’t make them a photographer).

We have visited Kathleen Loomis previously as a maker of flag images that make political and social statements, but today she shares her version of a not uncommon artist’s practice: daily assignments. Of course, most any committed artist enters their studio every day, but in addition to whatever ongoing projects that might be taking up their time, the might set themselves the task of completing one self-contained idea each day, possibly in the morning. Like morning yoga or calisthenics, it gets the blood moving for the remainder of the day. 

“I've been doing daily art since 2001,” Loomis tells us. “Each year the rules change; in different years I have worked with photography, collage, drawing, hand stitching, quilting, soft sculpture and mail art.  

“Mask” by Kathleen Loomis, Paper, 10x10in, 2014, NFS

“Mask” by Kathleen Loomis, Paper, 10x10in, 2014, NFS

Loomis is a very active blogger, so the evidence of this strain of work is often evidenced there. In 2010 she took a photo every day and posted it: kathysdailyart.blogspot.com. In 2014 Loomis made a collage every day, but also challenged herself to expand on those ideas once a week for a bigger collage piece. A gradual increase in scale also followed her 2016 daily practice: “I did a drawing every day, filling five sketchbooks. Each new sketchbook was a bit larger than the previous ones as I gained confidence.”

“Once you've done it this long, the concept takes on a life of its own. Ask me why I do daily art, I'll tell you that I like the discipline and structure, that it makes me think about art every day, that the regular work improves my skill and focus, that the repetition allows me to explore ideas without the risk of a ‘real’ work. But I also do daily art because I do daily art. It has become a part of my life and I would feel bereft, missing an essential part of me, without it.” 

Loomis’s solo exhibit, Day by Day by Day: adventures in regular art, will be at PYRO Gallery in Louisville October 25 through December 1, 2018. The artist will give a gallery talk November 3 at 12 noon.

‘Sad Guy (detail)” by Kathleen Loomis, Hand stitching on cotton, 4x4in (one 4x4 panel in assembly of 366 daily stitchings), 2012, NFS

‘Sad Guy (detail)” by Kathleen Loomis, Hand stitching on cotton, 4x4in (one 4x4 panel in assembly of 366 daily stitchings), 2012, NFS

Selected Exhibitions

  • Pyro Gallery, Louisville KY, Day by Day by Day, 2018; New Year, New Pyro Artists, 2017
        

  • Indianapolis Museum of Art, Indianapolis IN, Dialogues, 2016
         

  • Dairy Barn, Athens OH, and on tour throughout the US, Quilt National ’15, ’11,’09 and ’03 (Quilts Japan Prize, 2009)
         

  • Jasper Arts Center, Jasper IN, Annual Juried Art Exhibits, 2001, 2004, 2006, 2011, 2015, 2017 (award of merit, 2011; best in show, 2015 and 2017)

Hometown: Saginaw, Michigan
Education: BA in Journalism, Syracuse University; MSJ Northwestern University
Website: http://kathleenloomis.com

Scroll down for more images

 

“Pinup Girl” by Kathleen Loomis, Paper collage on library catalog card, 3x5in, 2014

“Pinup Girl” by Kathleen Loomis, Paper collage on library catalog card, 3x5in, 2014

“Expanding Universe” by Kathleen Loomis, Ink on paper, 6x6in, 2016, NFS

“Expanding Universe” by Kathleen Loomis, Ink on paper, 6x6in, 2016, NFS

“In the Alley” by Kathleen Loomis, Digital photo, 2010, $25 printed at 4x6" and matted

“In the Alley” by Kathleen Loomis, Digital photo, 2010, $25 printed at 4x6" and matted


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Fiber

Vignette: Kathleen Loomis


“My flags are somewhat the worse for wear.” Kathleen Loomis


"Fading" by Kathleen Loomis, 59x99in, fiber (2016) $8000 | BUY NOW

"Fading" by Kathleen Loomis, 59x99in, fiber (2016) $8000 | BUY NOW

Political art can be a misnomer; on some level all of art is, by its very existence, ‘political’, and more overt statements are often best realized in simple terms. In her most recent work, Kathleen Loomis has been working with the American flag, appropriate both in that she is a fiber artist, and that there is arguably no symbol that carries more emotional and thematic weight than the Red, White, and Blue.

"Flagging" by Kathleen Loomis, 98x54in, fiber (2016) $7000  | BUY NOW 

"Flagging" by Kathleen Loomis, 98x54in, fiber (2016) $7000  | BUY NOW 

“The flag is a stand-in for our country, so flags in distress convey feelings about the state of our democracy. Even beyond the disturbing recent elections, it seems that so many things in government and our legal system are going downhill. Maybe our nation and its democratic ideals aren’t as crisp and bright as they used to be; as a nation we are getting weary and have lost our mojo, so my flags are somewhat the worse for wear.”

Loomis’ statement may reveal a particular position, and the images are equally straightforward, yet they do not limit themselves by pointing to cause or solution. There are protocols for flying the flag that reinforce that it is also a vital tool for communication – flown upside down it is a symbol of distress to approaching forces, so co-opting it as a motif in visual art feels natural. “Kentucky Graveyard” and “Postage 3 Memorial Day” powerfully comment on the cost of freedom by echoing the flag-draped caskets of deceased military returning from foreign wars, while “More Equal Than Others” speaks to the inequity that has always been a struggle in American society. Loomis may have current events on her mind, but these themes are forever with us.

You can keep up with Loomis through a lively and informative blog on her website. Loomis joined Pyro Gallery in 2016, and is currently a part of the New Year, New Pyro Artists exhibit that runs through February 18, and will be participating in an Artist’s Gallery Talk there on Saturday, January 14, at 12:30pm.

"Fading" (detail)

"Fading" (detail)

Recent Exhibitions:
·      Indianapolis Museum of Art, Indianapolis, IN, Dialogues, 2016
·      Dairy Barn, Athens, OH, and on tour throughout the US, Quilt National ’15, ’11, ’09, and ’03 (Quilts Japan Prize, 2009)
·      Jasper Arts Center, Jasper, IN, Annual Juried Art Exhibits, 2001, 2004, 2006, 2011, 2015 (award of merit), 2011, Best in Show, 2015).

Hometown: Saginaw, Michigan
Education: BA in Journalism, Syracuse University; MSJ Northwestern University
Website: http://kathleenloomis.com

"Kentucky Graveyard (Iraq)" by Kathleen Loomis, 71x60in, fiber (2006) NFS

"Kentucky Graveyard (Iraq)" by Kathleen Loomis, 71x60in, fiber (2006) NFS

"Kentucky Graveyard (Iraq)" (detail)

"Kentucky Graveyard (Iraq)" (detail)

"Postage 3: Memorial Day" by Kathleen Loomis, 86x100in, fiber (2008) NFS

"Postage 3: Memorial Day" by Kathleen Loomis, 86x100in, fiber (2008) NFS

"Postage 3: Memorial Day" (detail)

"Postage 3: Memorial Day" (detail)

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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