pastels

Photography, Mixed Media

Vignette: Melissa Hall


“Integrating my photography with encaustic processes blurs the line between reality and narrative.” — Melissa Hall


"Look Outward" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017), $820 | BUY NOW

"Look Outward" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017), $820 | BUY NOW

Melissa Hall is “drawn to locations and objects that are patinaed, worn, and wear their age like a badge on their surface, displaying their history. These decaying spaces spark my imagination and allow me to tell stories of the lives that could have been lived between the walls.”

"The Weight" by Melissa Hall, 24x48in, photography, encaustic, oil paint (2017) $940 | BUY NOW

"The Weight" by Melissa Hall, 24x48in, photography, encaustic, oil paint (2017) $940 | BUY NOW

We see female figures that are literally imprisoned within physical circumstances: a mermaid struggles inside of a ticket booth aquarium. The cubical is ludicrously small for her, but even if it were more spacious, it would remain confining. And another woman occupies an attic space, her body disappearing into a window, and even if we cannot see her face, we might, without too much difficulty, imagine a look of longing in her face. In any event she seems ready to depart; she clutches ropes tied to a brace of travel cases, her life further confined within even smaller spaces.

“My imagery evokes conceptual undercurrents from myths, twisted fairy tales, and simple aspects of everyday life. My work is built by combining photographs with translucent layers of encaustic medium, oil paint, and pastels. Integrating my photography with encaustic processes blurs the line between reality and narrative.”

In the work we see here, that layered effect is perhaps most obvious in “Stand,” an image in which the woman is not constrained by space. She stares out at a horizon filled with the ocean, typically a symbol of boundless freedom. Yet how is it that even in this instance, this figure also feels somehow limited? Hall plays with our expectations, crafting a tension and speaking to troubling issues of identity. 

Hall has a solo show, Aggressively Fragile, running June 13 – July 21, 2017 at the MS Rezny Gallery in Lexington, KY. There will be a Coffee & Artist Demo on July 8th, 11am-1pm, and an Artist’s Closing Reception July 21st, 5-8 pm, in conjunction with the LexArts Gallery Hop.

Hometown: Lexington, Kentucky
Education: BS Computer Science & Mathematics
Gallery Representation: MS Rezny (Lexington)
Website: http://www.melissathall.com
Facebook: https://www.facebook.com/melissathallstudios/
Instagram: https://www.instagram.com/melissathall/

"Endure" by Melissa Hall, 21x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

"Endure" by Melissa Hall, 21x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

"On Display" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

"On Display" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

"Hurry Up and Wait" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

"Hurry Up and Wait" by Melissa Hall, 24x36in, photography, encaustic, oil paint (2017) $820 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting, Drawing

Vignette: Jenny Shircliff

"Creekside" by Jenny Shircliff, 24x36in, oil on canvas (2017), $1500 | BUY NOW

"Creekside" by Jenny Shircliff, 24x36in, oil on canvas (2017), $1500 | BUY NOW

Artists turn that introspective gaze towards themselves; it’s not at all unusual - most art reveals something of the person who creates it. Jenny Shircliff makes herself the subject as a way of investigating age and, by implication, mortality.

"Cavea" by Jenny Shircliff, 18x15in, pastels on paper (2016), $650 | BUY NOW

"Cavea" by Jenny Shircliff, 18x15in, pastels on paper (2016), $650 | BUY NOW

Her earlier paintings were naturalistic renderings of the figure, but her new work is a departure, in which she dramatically abstracts human form nearly beyond recognition, and equates it with landscape forms.

“Our culture's idea of figurative beauty is predicated on youth, smooth skin, and rosy complexions,” observes Shircliff, “I am inverting that tenet and looking at my own aging flesh as a recording of my life, much in the same way that time is visually marked on the landscape. Thus, I have turned to viewing various parts of my own body as elements of land formations and use them as a derivation for abstract landscape. And I draw my color from nature itself. In a way, this new body of work could be described as ‘flesh-scapes’.”

What results from this focus are images of startling graphic impact. They appear to be abstract but are, in reality, intense, close-up views of the human form that embrace and reveal their humanity. The discovery of organic pattern and shape is so universal that we mistake them for images of other animals or natural rock formations. Through this highly candid, nearly forensic self-portrait series, Shircliff reminds us that we are a part of a larger natural world.

"Outcrop" by Jenny Shircliff, 20x24in, pastels on paper (2016), $950 | BUY NOW

"Outcrop" by Jenny Shircliff, 20x24in, pastels on paper (2016), $950 | BUY NOW

Shircliff has returned to painting after a long period devoting herself to the studying and teaching art history. “One of the most important things I learned from that experience is that assumptions should be challenged, inverted, and viewed in a different light.”

Shircliff has taught previously at Kentucky College of Art + Design at Spalding University, KSAH, Bellarmine University, University of Louisville, IUS, JCTC, and Midway College.

Hometown: Louisville, Kentucky
Age: 62
Education: PhD in Art History, May 2014 University of Louisville, Louisville, KY; MA in Painting, 1994 University of Louisville, Louisville, KY; BFA in Drawing, 1976 Murray State University, Murray, K

"Cavern" by Jenny Shircliff, 31x36in, oil on canvas (2016), $3000 | BUY NOW

"Cavern" by Jenny Shircliff, 31x36in, oil on canvas (2016), $3000 | BUY NOW

"Gorge" by Jenny Shircliff, 48x48in, oil on canvas (2016), $1500 | BUY NOW

"Gorge" by Jenny Shircliff, 48x48in, oil on canvas (2016), $1500 | BUY NOW

"Cliffside" by Jenny Shircliff, 24x36in, oil on canvas (2016), $750| BUY NOW

"Cliffside" by Jenny Shircliff, 24x36in, oil on canvas (2016), $750| BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.