savannah

Painting

Vignette: Corie Neumayer


“My current work reflects the changes in our climate and the effect on our earth.” Corie Neumayer


"Angry Wind" by Corie Neumayer, 24x36in, acrylic, latex (2017), $700 | BUY NOW

"Angry Wind" by Corie Neumayer, 24x36in, acrylic, latex (2017), $700 | BUY NOW

Painter Corie Neumayer’s latest work is so much more emotional than the last time we saw her on Artebella. There was always signature mark making, but she has here cut loose from much of the intellectual discipline previously evident in her compositions in favor of a near-tempestuous brushwork of unusual vigor and expressiveness. As an artist, she seems riled up, even if her statement remains understated and reserved:

“I am a painter who creates abstracted paintings of the landscape that focus on open spaces; deserts, mountains, lakes, as well as the countryside of Kentucky and Indiana. My work is done in a variety of untraditional and traditional media. My current work reflects the changes in our climate and the effect on our earth.”

"Rain and Rain" by Corie Neumayer, 24x30in, acrylic, latex (2017), $600 | BUY NOW

"Rain and Rain" by Corie Neumayer, 24x30in, acrylic, latex (2017), $600 | BUY NOW

The natural world has always played an important role in her work, but this new energy is forceful and imbued with what feels like anger, as Neumayer uses her art as a form of social activism. The turmoil below the surface of the image may not be as overt as marching with a sign because it works more subliminally, but the inference seems clear. The earth is in trouble, a highly volatile organism that has suffered enough abuse.  

As an educator, Neumayer helped create and develop the Visual Art Magnet program at DuPont Manual High School in Louisville and was a teacher in that program 1986-2004.

Neumayer has been a member of PYRO Gallery since 2005, and has a show on exhibit here now.

"Burnt Land" by Corie Neumayer, 18x24in, acrylic, latex (2017), $400 | BUY NOW

"Burnt Land" by Corie Neumayer, 18x24in, acrylic, latex (2017), $400 | BUY NOW

The Changing Land – A Painting Exhibit by Corie Neumayer, with guest artist Matt Gaddie, runs through July 15, 2017.

Hometown: Louisville, Kentucky
Education: MA in Teaching, University of Louisville; BA, Georgetown College (Georgetown Kentucky); also attended Savannah College of Art and Design (Savannah, Georgia), California State University-Long Beach, and St. Cloud College (St. Cloud, Minnesota)
Gallery Representative: Pyro Gallery
Website: www.corieneumayerpaintings.com

"Crops on Fire" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

"Crops on Fire" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

"Looks Like Snow Again" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

"Looks Like Snow Again" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Q&A: Julie Rolwing


"When I am lost in my work, my mind is off of everything else and the troubles of our world seem to disappear." – Julie Rolwing


"Downtown at Dusk" by Julie Rowling, 11x14in, mixed media on cold press water color paper (2016), $225 (matted & framed) | BUY NOW

"Downtown at Dusk" by Julie Rowling, 11x14in, mixed media on cold press water color paper (2016), $225 (matted & framed) | BUY NOW

While she was always interested in art, Julie Rolwing only began painting about four years ago through a class at Gilda’s Club of Louisville. Rolwing had undergone treatment for breast cancer followed by a back injury that has left her permanently disabled. She endeavors to paint every day and has sold several through social media but, because of her physical disabilities, has yet to exhibit in a gallery.

You started painting only four years ago. Tell us how and why you got started.

I started painting after having participated in an art therapy class at Gilda’s Club that I became involved with after my treatment for breast cancer. I had been attending the class for a year or so before I broke down and bought some paints of my own and set up a studio. It was through this class that I discovered that I was indeed a pretty talented painter.  

I have always been artistic but never really painted. My father and brother were painters and I think I felt intimidated by them. Though I studied art in my early years at Western Kentucky University, I was more into textiles. Painting, to me seemed too messy! I regret that I did not finish my art education and wish I knew more about history and technique. Though I seldom follow rules in my painting, as I believe that the best work often comes by accident, I think it’s good to have the foundation.

Would you describe your painting as therapeutic? What does it mean to you?  

Yes, definitely! Sometimes I feel as though I go through withdrawal if too many days go by and I haven’t painted something, I try to paint every day - at the very minimum I paint on the weekends.

"Untitled" by Julie Rowling, mixed media on metalic matte board (2016), $225 (framed) | BUY NOW

"Untitled" by Julie Rowling, mixed media on metalic matte board (2016), $225 (framed) | BUY NOW

Who or what inspires you now?

I continue to be inspired by my late father and often while I paint, I can feel his presence. Family members have told me that my work looks so much like his that it is hard to tell the difference. I consider that the greatest of compliments! My friend and mentor, Mary Scott Blake, who facilitates the class at Gilda’s Club, also continually inspire me. While most of the time I jump ahead of her instruction and go way off the page, I have learned so much from her. I would not be painting today if it had not been for her time and dedication. Watching others create also inspires me. Each March I facilitate a charity-painting workshop to benefit Gilda’s Club of Louisville and I am so inspired by the work of the participants, I spend several months painting from that inspiration. 2017 will be our third year to hold this benefit. 

What frightens you the most?   

I think what frightens me the most is the uncertain economy – while we have bounced back from the last recession, the election has brought more uncertainty.   The lack of compassion I have seen, scares the heck out of me – though in a good way it has sent me into my studio more so than it might have otherwise.  

"Water Lilies" by Julie Rowling, 9x11in, liquid water color and pen and ink on cold press water color paper (2016), $125 (matted & framed) | BUY NOW

"Water Lilies" by Julie Rowling, 9x11in, liquid water color and pen and ink on cold press water color paper (2016), $125 (matted & framed) | BUY NOW

What are you reading right now?

I AM A BOOK JUNKY! I have 1628 books on my Kindle and 587 on my Nook.  I easily have at least five books going at one time. I like mostly humorous novels set in the South – I just read one by Anne River Siddons that I enjoyed. That said, about every fifth book or so I feel needs to be edifying in some way – either spiritually or historically. Last week I read a biography of Harriet Beecher Stowe that I found to be extremely fascinating.  

"Tiger Lilly" by Julie Rowling, 8x10in, acrylic and water color mix on canvas panel (2016), $175 (double matted & framed) |  BUY NOW

"Tiger Lilly" by Julie Rowling, 8x10in, acrylic and water color mix on canvas panel (2016), $175 (double matted & framed) |  BUY NOW

If you were given $100,000 what would do with it?

Buy a new car and then hit the road and travel the United States for a couple of months staying in Bed & Breakfast Inns in small towns across the country.  

What does art mean to you?

Art is not only a means of expression for me it is also a mean of escape. When I am lost in my work, my mind is off of everything else and the troubles of our world seem to disappear.

What do you feel is your greatest flaw?

That’s easy – I buy too many books! I also have too many projects going at one time and I am impatient with my work. I could never work on a painting for more than two days, which is why I like small watercolors. I have also been told I don’t charge enough for my pieces but the way I look at it, I do them to share with other people and not everyone can afford to spend hundreds of dollars on a painting. I feel like if I invest fifty dollars in a painting and sell it for $100 - $150, I’ve made nice profit and I am not really trying to earn a living.

What's your favorite place to visit?  

That is hard to say since I am not that well traveled. I have been to NYC and Chicago and LA. I have to say I was in total awe of Chicago. Places I want to visit include New Orleans, Savannah, GA, the Carolinas, Martha’s Vineyard and Prince Edward Island, Canada.

Hometown: Louisville, Kentucky
Age: 56
Facebook: http://www.facebook.com/jaie.rolwing

"Nora" by Julie Rowling, 11x14in, acrylic, liquid water color, pencil and coffee (2016), $195 (matted & framed) | BUY NOW

"Nora" by Julie Rowling, 11x14in, acrylic, liquid water color, pencil and coffee (2016), $195 (matted & framed) | BUY NOW

Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.