“The bison struck me as moving mountains, impervious to time and elements.”
– Kathie Daulton

"Mountain Goes to Mohammed" by Kathie Daulton, 20x16in, oil on canvas (2017), $400 | BUY NOW — *"Mountain Goes to Mohammed" by Kathie Daulton, 20x16in, oil on canvas (2017), $400 | BUY NOW*

Kathie Daulton believes the purpose of modern representational art is to stop time. Arguably, any static image accomplishes this, but in “Museum Row” the street scene seems frozen, except for one figure allowed a sense of motion, a women in white and purple who might be in a world of her own at this moment, her penetration into the space so intentional as to make the rest of us feel as if we are standing still.

In “Mountain Goes to Muhammad,” the painter confronts the stoic gaze of a nearly immovable object, a massive bison on the American prairie. Time again stands still, but with an underlying tension in anticipation of what the monolithic creature might do next in the sunbaked landscape that was his domain long before humankind encroached.

That quality of immutability carries over into a painting of bicyclists. Intellectually, we know that they are in motion, yet the image arrests them sufficiently to suggest the figures moving slowly, with gravitas, as a herd of bison might move. The swift speed of the scene is downplayed in favor of what Daulton refers to as, “…some less definable essence of a moment.”

"Old Hippies" by Kathie Daulton, 20x16in, oil on canvas (2015), $300 | BUY NOW — *"Old Hippies" by Kathie Daulton, 20x16in, oil on canvas (2015), $300 |* *BUY NOW*

Daulton has studied with local artists Rita Ford Jones, Joyce Sweet Bryant and Cathy Hillegas, and attended workshops with nationally acclaimed artists Judi Betts and John Michael Carter. She is an active member of the Floyd County Crit Club and Madison Art Club. She received a purchase award in the Ohio Valley Regional juried show in 2002, and a first in an annual Floyd County Crit Club show in 2013.

Daulton's work is displayed at Art on Main in Madison, Indiana. She will also be exhibiting with other Floyd County Crit Club members during the month of September at Pearls on Pearl, New Albany.

Hometown: Charlestown, Indiana
Education: Self-Trained
Facebook: https://www.facebook.com/At-the-Lake-Painting-278423408862954/

"Big Four Bikes" by Kathie Daulton, 20x16in, oil on canvas (2015), $300 | BUY NOW — *"Big Four Bikes" by Kathie Daulton, 20x16in, oil on canvas (2015), $300 | BUY NOW*

*"Big Four Bikes (detail)" by Kathie Daulton*

"Museum Row" by Kathie Daulton, 16x20in, oil on canvas (2012), $300 | BUY NOW — *"Museum Row" by Kathie Daulton, 16x20in, oil on canvas (2012), $300 | BUY NOW*

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Photography

Vignette: Violet Herrmann

Josh Jenkins · January 6, 2017

*"Faces" (set of 2) by Violet Herrmann, 10x16in, photograph (2014)*

As a photographer and a designer, Violet Herrmann states she is, “…a firm believer in simplicity with a bold hint.” In “Mellwood,” her photograph reads at first glance as a captured ‘snapshot’ – a random glimpse of a passing moment, yet the cool, evening shades of blue are seductive, and there is tantalizing mystery in the dramatic depth found in the contrasting channels of space. It would all be a solid, albeit academic composition except for the hesitant figure on the right, leading us further into the scene but arresting that momentum by turning on their heel. It is the key to lifting the image beyond the ordinary.

All of which reflects the idea that good composition and design is a series of relationships, most of which might never register fully with the viewer, but will have undeniable impact on how a piece is read. Herrmann explains, “I believe that the best designs appear to have their components distributed randomly throughout the page; but one finds that every element is aligned to another found in the piece.”

*"Mellwood" by Violet Herrmann, 17x11in, photograph (2016)*

“My work describes me as an artist as well as a person. As a stubborn perfectionist, my designs reflect my personality by carefully placing components in relation to one another while maintaining an edginess that makes them unique. I believe that a design must ultimately speak for itself to be considered truly successful. If I have done a good job on my work, my personality should be able to shine through and reflect me as a designer.”

Herrmann has worked as a Graphic Design Intern for Simon Signs in Louisville Kentucky and her work has been displayed in the Kentucky College of Art and Design (KyCAD) Gala in the 849 Gallery, Louisville Kentucky. While at KyCAD she was awarded the Presidential Scholarship.

Hometown: Charlestown, Indiana
Age: 21
Education: BFA candidate, General Fine Arts, Kentucky College of Art + Design at Spalding University, Louisville Kentucky

*"Louisville Door Series" (1 of 12) by Violet Herrmann, 10x10in, photograph (2014)*

Painting, Drawing

Vignette: Victor Sweatt

Josh Jenkins · December 29, 2016

"Beckley Creek Park" by Victor Sweatt, 15x30in, oil on canvas (2016), $1500 | BUY NOW — *"Beckley Creek Park" by Victor Sweatt, 15x30in, oil on canvas (2016), $1500 | BUY NOW*

*Victor Sweatt working on his pastel drawing, "Early Fall"*

As a painter, Victor Sweatt is unquestionably a realist. His images are recognizable and assured in the expressiveness of the human form, yet there is also a potent emotional quality that reaches for expressionism. It is there in the evocative gestures and postures of his figures, but it is also evidenced in the landscapes that have most recently occupied him.

The detail and sense of place is confident, but the development of surface and the delicate placement of color connect to Sweatt’s more subjective compositions of musicians, farmers, parishioners, and others, which often have a slightly surreal quality, a heightened observation of the flavor of a scene. In these pastorals, such as “Morning Dew,” there is a palpable sense of discovery in how the light delineates the dimensionality of the space surrounding the petals, a glimpse into another universe at our feet that we take for granted.

A long-time teacher and mentor for kids in west Louisville, Sweatt is currently seeking funding for "Speak Up", a children’s book that empowers them against child molestation, educating youth about the negative effects of under age drinking and setting positive goals.

Sweatt was born in Louisville. The oldest of three sons, Sweatt was raised in a single-family household. He credits his mother for his strength and determination, which helped him to survive and excel in the challenged west side neighborhoods in Louisville. He has shown his work in group and solo exhibitions, and appears in public and private collections throughout the United States. In 2015, his work was included in the Louisville Visual Art exhibit, Presence and Place at Metro Hall in Louisville, KY. Sweat is a signature member of the Louisville Visual Art, the Kentucky Artist Pastel Society, and the Kentucky Watercolor Society.

Hometown: Louisville, Kentucky
Facebook: https://www.facebook.com/victor.sweatt

"Autumn Cool" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW — *"Autumn Cool" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW*

"Chickasaw Park Bridge" by Victor Sweatt, 16x20in, oil on canvas (2016), $750 | BUY NOW — *"Chickasaw Park Bridge" by Victor Sweatt, 16x20in, oil on canvas (2016), $750 | BUY NOW*

"Morning Dew" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW — *"Morning Dew" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW*

scene

Vignette: Kathie Daulton

“The bison struck me as moving mountains, impervious to time and elements.”– Kathie Daulton

Vignette: Violet Herrmann

Vignette: Victor Sweatt

“The bison struck me as moving mountains, impervious to time and elements.”
– Kathie Daulton