southeast

Print Making, Mixed Media

Vignette: Susan Moffett


“The rhythm of this work is integrated with the presence of music and dance in my life.”
– Susan Moffett


A photograph of Susan Moffett in her studio.

A photograph of Susan Moffett in her studio.

Music is so often, if not always, an integral part of the life of a visual artist. Besides being a highly respected printmaker and teacher, Susan Moffett is also a “Caller” for contra and square dances, and now is playing the fiddle. If we might characterize such pursuits as folk music crossed with precision of execution, it would be perhaps be a fair description of the work we see here.

The tradition and protocol of printmaking includes labored technique, process, and the notion of limited editions of prints pulled by the artist to their exacting standards, but we find Moffett abandoning those for what she calls the, “the freedom and spontaneity of woodcut monoprints. Instead of a traditional series of perfected prints with a consistent image, I opt to use the block prints in an intuitive exploration of organic forms, creating rhythm within and relationships between the prints. Small prints are repurposed in relationships of color, density and repetition, to make a larger installation.”

Although Moffett is too educated and sophisticated in her sensibilities to be labeled a folk artist, there is an elemental quality in these latest images. Yet, because they are densely textured and highly detailed, they are also complex. We often find such tension at the heart of art that is compelling, a balance of contrasting themes and aesthetic that seems the honest, organic result of genuine discovery. 

"Moonlight in the Forest" by Susan Moffett, 19x14in, relief monoprint collage, $375 | BUY NOW

"Moonlight in the Forest" by Susan Moffett, 19x14in, relief monoprint collage, $375 | BUY NOW

Moffett is Professor Emeritus of Fine Art at Indiana University Southeast where she taught Printmaking, Drawing, and Art Appreciation for many years. She teaches private drawing and printmaking lessons. 

"Seasonal Rhythms" by Susan Moffett, 42x54in, relief Monoprint Installation, $2,250 | BUY NOW

"Seasonal Rhythms" by Susan Moffett, 42x54in, relief Monoprint Installation, $2,250 | BUY NOW

Moffett is a founding member of PYRO Gallery in Louisville, where she is currently exhibiting with Wendi Smith and Marilyn Whitesell in Ex-Faculty; New, Renewed and Repurposed through November 26, 2016. She has exhibited throughout the United States as well as abroad in Ireland, Poland and Australia. Her work is in numerous public and private collections including:

Selected Collections
• Evansville Museum of Arts and Science, Evansville, IN
• Hyatt Regency, Louisville, KY
• Brown-Forman Distillers Corp., Louisville, KY
• The Kentucky Foundation for Women, Louisville, KY
• Wyatt, Tarrant & Combs, Louisville, KY
• University of Dallas, Irving, TX
• The University of Tennessee, Knoxville, TN
• Owensboro Museum of Art, Owensboro, KY
• The University of South Florida, Tampa, FL

Hometown: Dallas, TX
Age: 66
Education: MFA, Northern Illinois University, 1977; Texas Tech University, 1973
Gallery Representation: Pyro Gallery (Louisville) Ro2 Art (Dallas)
Website: http://www.susanmoffett.com

"Seasonal Rhythms (detail)" by Susan Moffett

"Seasonal Rhythms (detail)" by Susan Moffett

"Cool Flow, Fall," by Susan Moffett, 14x20in, relief monoprint collage, NFS

"Cool Flow, Fall," by Susan Moffett, 14x20in, relief monoprint collage, NFS

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Julio Cesar Rodríguez

"The Fleeting Reflection" by Julio Cesar Rodríguez, 24x48in, oil on canvas (2016)

"The Fleeting Reflection" by Julio Cesar Rodríguez, 24x48in, oil on canvas (2016)

Rodríguez at work in his studio.

Rodríguez at work in his studio.

Julio Cesar Rodríguez describes his work as: “…a mixture of figuration and expressionism with an air of surrealism, where I project my individuality as a creator poetically and philosophically.” Certainly the images call to the viewer’s mind Rene Magritte, even if the impenetrable black hat we find here is a fedora and not the iconic bowler of the famous French surrealist painter.

Drawing on his dreams in the most literal sense, Rodríguez recreates images from the narrative his subconscious weaves at night, wherein the human form occupies space as both object and field. The ubiquitous and benign violation of the body in dreams is brilliantly realized in these paintings, but in terms that are unexpectedly accessible and not so disturbing; flesh becomes wood but is not deconstructed into splinters.

“When I'm painting I feel my mind is opened as a theater stage, and my staging begins to establish itself with its own lights and shadows, colors and strokes; and then going to bed trying to sleep with that huge dark hat is the night. It is in this process where I feel I still perched at that stage…floating in my paintings.”

A detail of one of Rodríguez paintings.

A detail of one of Rodríguez paintings.

Rodríguez has exhibited internationally and has work in private collections in Cuba, USA, Puerto Rico, Canada, China, Mexico, Belgium, Panama, Argentina, Spain, Ukraine, the Dominican Republic, Germany, and Italy. His most recent show was “SLEEPLESS ILLUSION”, was at Revelry Boutique Gallery in Louisville, Kentucky.

You can visit Julio Cesar Rodríguez in his studio on the southeast side of Louisville during OPEN STUDIO WEEKEND, November 5 & 6, 2016. The event benefits scholarship programs for Louisville Visual Art and University of Louisville’s Hite Art Institute and tickets may be purchased here

Hometown: Louisville, Kentucky
Age: 40
Education: 1988-1995 Fine Art Academy in Holguin, Cuba. Graduated in Painting, Drawing and Photograph
Gallery Representative: Revelry Boutique Gallery

“Fading Flesh” by Julio Cesar Rodríguez, 48x36in, oil on canvas (2016)

“Fading Flesh” by Julio Cesar Rodríguez, 48x36in, oil on canvas (2016)

“The Mystifying Face of the Moon” by Julio Cesar Rodríguez, 48x36in, oil on canvas (2016)

“The Mystifying Face of the Moon” by Julio Cesar Rodríguez, 48x36in, oil on canvas (2016)

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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