texas

Painting

Vignette: Jill Baker

"Grand Canal" by Jill Baker, 30x12in, oil, $2000 | BUY NOW

"Grand Canal" by Jill Baker, 30x12in, oil, $2000 | BUY NOW

Jill Baker working on her painting "Lady In Waiting" (2016)

Jill Baker working on her painting "Lady In Waiting" (2016)

When one tries to imagine the ideal life of an artist, you might do worse than use Jill Baker’s experience as an example. Encouraged at the earliest age to make art, most notably by her artist grandmother, she majored in Fine Art in undergraduate studies at Baylor University. She traveled extensively and lived in Spain, Italy and South Korea. “In Spain I studied the masterpieces at the Prado. In Florence, Italy I painted under the masters at the Academia di Belle Arti. My work was in a major U.S. Exhibition in Paris and in Italy I was chosen for a one-person show at the prestigious Palazzo Strozzi in Florence. In Seoul, South Korea, I became an Artist In Resident and took advantage of the opportunity to create a major exhibition for the U.S. Information Services, exhibiting in the old American Embassy. I also was taken by the USIS to tour South Korean artists and universities, to lecture and lead workshops.”

For many people, that might have been enough, but Baker moved to New York City, where she exhibited, including two solos shows, before earning her MFA in Painting from Pratt Institute in NYC in 1981. Since then she has exhibited at galleries in major cities and galleries of the states of New York, California, Kentucky, Florida, Texas, New Mexico, and is in the permanent collections of the Museum of Arts and Sciences in Evansville, Purdue University, and other institutions.

"Arizona" by Jill Baker, 60x43in, oil, collage, $5000 | BUY NOW

"Arizona" by Jill Baker, 60x43in, oil, collage, $5000 | BUY NOW

"Gondolas in the Snow" by Jill Baker, 16x30in, oil, $5000 | BUY NOW

"Gondolas in the Snow" by Jill Baker, 16x30in, oil, $5000 | BUY NOW

As is common with many full-time artists, Baker works on several pieces simultaneously, expressing herself in different styles. She describes her surreal collages, such as “Arizona,” as her most popular work. The upending of recognizable physical reality accomplished through the impossible juxtaposition of conflicting landscapes is compelling; a seamless merging that illustrates Baker’s great facility with medium. 

“I have sought to be true to my strengths and have resisted other occupations and callings to become and remain a visual artist. I know it is a gift I have been given and in developing it, have tried to bring new and innovative visions to it.”

In 2011-12, Baker was a Visiting Professor of Art History at the University of Evansville, Evansville, IN, and since 2009 she has been Adjunct Professor, University of Southern Indiana, Department of Art, also in Evansville. In November 2016 she exhibited at Cook Studio and Gallery with Andy Cook and Debbie Welsh.

Baker is currently listed in Who's Who in the East, Who's Who in America, Who's Who in Society, Who's Who in American Art, American Art Directory and Marquis Who's Who of American Women, in Community Leaders of America, Female Artists in the United States: a Research and Resource Guide, Fantastic Art and Artists Directory and the yearly listing in ArtNews.

"Madonna" by Jill Baker, 3x5in, blockprint, $200 | BUY NOW

"Madonna" by Jill Baker, 3x5in, blockprint, $200 | BUY NOW

Public Collections
Evansville Museum of Arts and Sciences, Evansville, IN
Goethe House, German Cultural Institute, New York, NY
Krannert Art Series, Purdue University, W.Lafayette IN
Bellarmine College, Merton Collection, Louisville, KY
St. Marks Priory, Fine Arts Collection, South Union, KY.
Alexander & Alexander, Inc., Omaha, Nebraska
Church of St. Thomas Aquinas, Bowling Green, KY
College of Education, Western Kentucky U., Bowling Green, KY

Selected Private Collections
Herman Rath Collection, Houston, Texas
Barton Simons Collection, Los Angeles, California
L. H. Dishman Collection, Washington, DC
Norman Wexler Collection, New York, New York
Dr. Lawrence Balter Collection, New York, New York
Wayne Kline Collection, Studio City, CA
Paul Nonte Collection, Jasper, IN

Hometown: Louisville, Kentucky
Age: 74
Education: BA in Fine Arts, Baylor University (Waco, Texas); studied at the Academia di Belle Arti (Florence, Italy); MFA in Painting, Pratt Institute (New York City)
Gallery Representative: Manhattan Arts (New York City); Contemporary Arts Gallery (New Harmony, Indiana)
Website: http://www.jillbaker.com

"Sotto Porto" by Jill Baker, 24x36in, oil, NFS

"Sotto Porto" by Jill Baker, 24x36in, oil, NFS

"Goddess" by Jill Baker, 18x10in, monotype collage, $500 | BUY NOW

"Goddess" by Jill Baker, 18x10in, monotype collage, $500 | BUY NOW

"Seated on Rug" by Jill Baker, 36x48in, oil, $5000 | BUY NOW

"Seated on Rug" by Jill Baker, 36x48in, oil, $5000 | BUY NOW

Jill Baker working on her painting "Summer Sidewalk In Paris"

Jill Baker working on her painting "Summer Sidewalk In Paris"

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Mixed Media

Vignette: Caroline Waite

A photograph of Caroline Waite in her studio.

A photograph of Caroline Waite in her studio.

"One Small Planet" by Caroline Waite, 10x11x2.5in, tin, paper mache, gouache paintings, model trees, globe, chain. $950 | BUY NOW

"One Small Planet" by Caroline Waite, 10x11x2.5in, tin, paper mache, gouache paintings, model trees, globe, chain. $950 | BUY NOW

Objects are memory in Caroline Waite’s work. Trained as a Printmaker and with experience in Textiles, it should come as no surprise that, when she found herself developing three-dimensional work, the constructions would include repetition. Patterns can be discovered in the recurrence of the objects themselves, culled from her ever-expanding collection (artists were recycling long before it was fashionable or essential), or an even more fundamental echoing of motifs or design elements within the structure of a piece.

 “Things are displayed in my studio, either pinned to the wall or arranged on a surface and eventually a dialogue begins. Once I recognize the potential relationship between these objects, a narrative develops and I get to work.

I love the element of mystery surrounding old objects – the questions as to their meaning, their origin and age – in other words, their “secret lives”.”

In England, Waite taught at Northbrook College, Sussex North East Wales University Telford College, Shropshire. Since moving to the U.S. in 2001, she has lived in Texas and New Mexico but prefers her current home of Louisville, even if two house moves in two years has meant little time for involvement in exhibitions:

"Beauty Beckons" by Caroline Waite, 24x12x2in, forged steel, vintage drafting tools, Nymphenburg German porcelain hand, hand painted panel and various mixed media, $1700 | BUY NOW

"Beauty Beckons" by Caroline Waite, 24x12x2in, forged steel, vintage drafting tools, Nymphenburg German porcelain hand, hand painted panel and various mixed media, $1700 | BUY NOW

“However, new work has been in production with exciting developments including a collaboration with a metal fabricator on forged, steel pieces, allowing me to pursue an interest in wall sculptures.” In an interview on PUBLIC, Waite talked about how the intimacy of her work seems in contrast to the American taste for scale. Perhaps this burgeoning interest in developing larger work is a sign that time in the States is exerting some influence on her.

Waite is currently exhibiting with Tom Pfannerstill at Galerie Hertz in Louisville, Kentucky through December 31, 2016, and she will be participating in Strange Worlds: The Vision of Angela Carter, a major invitational exhibit at the Royal West of England Academy, Bristol, England, that opens on December 9, 2016.

Hometown: Cookham Dean, England
Age: 57
Education: BA, Honors in Fine Art, Cheltenham College of Art; Art Teaching Degree, Brighton Polytechnic
Gallery Representation: Galerie Hertz (Louisville)
Website: http://carolinewaite.com

"'Sphinx' (detail)" by Caroline Waite, 14x12x2.5in, antique doll, paper collage, wire in antique repurposed frame, $600 | BUY NOW

"'Sphinx' (detail)" by Caroline Waite, 14x12x2.5in, antique doll, paper collage, wire in antique repurposed frame, $600 | BUY NOW

"Scene Unseen" by Caroline Waite, 24x12x2.5in, forged steel, carved ivory panels, painted panels, vintage drafting tools and other mixed media, $1600 | BUY NOW

"Scene Unseen" by Caroline Waite, 24x12x2.5in, forged steel, carved ivory panels, painted panels, vintage drafting tools and other mixed media, $1600 | BUY NOW

"'Miraculous Discoveries" by Caroline Waite, 38x27x3in, large display case of hand constructed and collaged insects (sourced from detailed photographs of preserved insects), dolls eyes, card stock, wire, and magazine paper, $5500 | BUY NOW

"'Miraculous Discoveries" by Caroline Waite, 38x27x3in, large display case of hand constructed and collaged insects (sourced from detailed photographs of preserved insects), dolls eyes, card stock, wire, and magazine paper, $5500 | BUY NOW

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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