Art[squared] Spotlight: Douglas Miller

To celebrate the 5th anniversary of LVA’s “Art [squared]” event to benefit Children’s Fine Art Classes, we will feature five local artists who are contributing 24” x 24” paintings to be sold at the event through a Silent Auction. Today we highlight Douglas Miller:

Douglas Miller’s approach to art entered the Louisville consciousness subtly, evolving from handcrafted ear X-tacy signage to the mostly-dimensional animals familiar today to visitors of Cellar Door Chocolates, Copper & Kings American Brandy and Edenside Gallery, as well as gallerists from Asheville to Quebec.
 

"Miller Thesis 1 (Title 1)" by Douglas Miller, Ink, pencil, and acrylic on paper, 39X50in, 2018

His current project finds him at U of L’s Cressman Center downtown achieving success by examining failure with a new exhibition he’s calling Title (strikethrough). Miller says these drawings explore themes of “indeterminacy, failed projects, and the complications of representation. This series is informed by preliminary drawings, marginalia, and written notations that are inherent in the formulation processes of both visual and literary compositions.”

Miller was inspired by Russian author Nikolai Gogol’s unfinished 1842 novel Dead Souls “to conflate literary theories with visual representation” with his drawings. Compelled by process as a topic, Miller continues, “The Title (strikethrough) series presents fragmentary images, texts, and digressive narratives that demonstrate intermediaries between propositional states and reconciled concepts … ultimately finding interchanges between the methods of representation and what is represented, this series underscores the ruptures in the production of meaning.”

"Miller Thesis 3 (Title 3)" by Douglas Miller, Pencil and acrylic on paper, 24X30in, 2017

This literary digression is a turn down a fresh alley for Miller. He says, “Modeling this series of drawings on methodologies typically constrained to literary texts, I intend to identify parallels between generating drawings and the formations of literary texts. Central to this thesis and the series of drawings is an emphasis on the disruptions of meaning and the digressive characteristics that adversely occur in the development of projects and how these function to create a more diverse, complicated, and ultimately uncertain interpretation.”

“In this way, the Title (strikethrough) series demonstrates a fictive series of narratives that are preparatory and indeterminate in anticipation of a larger conclusive work that is never reconciled.”

Miller’s MFA exhibition Title (strikethrough) is on view April 27 through August 4, 2018 at The University of Louisville's Cressman Center, with an opening reception April 27 from 6:00-8:00 p.m. He will also have work on exhibit at Lenihan Sotheby's International Realty in May of this year.

Education: BFA, University of Louisville, 2009                              Scroll down for more images
Website: www.douglassmillerart.com
Facebook: facebook.com/douglasmillerart/
Instagram: @douglasmillerart

"Miller Thesis 5 (Title 5)" by Douglas Miller, Pencil and watercolor on paper, 18X22in, 2017

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Written by Peter Berkowitz. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved.

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Vignette: Ray Kleinhelter

"Big Maple" by Ray Kleinhelter, Oil on canvas, 60x72in, 2017, $9000.

Sailing up and down the Ohio River in his aptly named boat Watercolor, Ray Kleinhelter works in the open air, sketching and painting amidst the natural beauty of the Ohio River Valley. Citing 20th century artists Richard Diebenkorn and Frank Auerbach as influences, Kleinhelter’s paintings seem to be in direct lineage with theirs; creating works concerned with the materiality of paint, viewing the medium almost as a sculptural tool and vehicle for expression, rather than a simple means for literal representation.

Though one may at first view one of Kleinhelter’s riverscapes, such as “Big Maple,” as a loose interpretation of a natural scene, “loose,” may not aptly describe Kleinhelter’s compositional sensibility. Each color-shape has the sense that it has fought for space in the composition. Carving each other out through an intricately woven series of beginnings and endings, the canvas becomes a geometric battleground. These interpretations in oil, created using multiple sketches done in the open air as reference points, “recreate the sensation of light and color out on the water, bringing the life of the river indoors,” as Kleinhelter puts it.

In “River Drawings” and “Untitled Watercolors,” the viewer is afforded glimpses into the process of creating the larger compositions in oil. Through these smaller studies, done in ink and watercolor, the “bones” of the larger, more complex pieces can be seen; the planes of light striking trees along a riverbank, the formal interaction between the land and sky that creates a horizon, and how that interaction can be manipulated to make a horizon dissolve inside the composition, refuting traditional western notions of perspective.

"River Drawing 70" by Ray Kleinhelter, Ink on paper, 9.5x12in, 2017, $200.

"Untitled Watercolor 49" by Ray Kleinhelter, Watercolor on paper, 9.5x12in, 2017, $400.

While the influences of Diebenkorn and Auerbach can clearly be seen in Klienhelter’s work, the well-known paintings of Piet Mondrian also come to mind. Similarly reinterpreting the natural into abstracted geometric compositions, Mondrian simplified the cityscape into a series of rectilinear forms in primary colors. The clean lines and separation of color ideas exemplifies Mondrian’s experience inside urban spaces, and so too do the energized compositions of Kleinhelter exemplify the experience of a natural space vital to the culture of Louisville.

Now through January 2018 Kleinhelter is showing new work at Lenihan Sotheby’s International Realty at 3803 Brownsboro Road in Louisville.

Hometown: Louisville, Kentucky
Education: Yale School of Art Summer Painting Scholar 1982; BFA, Kansas City Art Institute 1982; MFA, Indiana University, Bloomington 1986
Gallery Representation: Galerie Hertz (Louisville)
Website:www.raykleinhelter.com

"Big Sycamore" by Ray Kleinhelter, Oil on canvas, 60x72in, 2017, $9000.

"Late Spring Flood #3" by Ray Kleinhelter, Oil on panel, 36x42in, 2017, $3600.

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Written by Aaron Storm. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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