Artists Talk with LVA: December 18, 2025

This week Vian Sora joined us to discuss Vian Sora: Outerworlds which is now on exhibit at The Speed Museum. Tune in to WXOX 97.1 FM/Artxfm.com each Thursday at 10 am to hear Artists Talk with LVA.

Vian Sora: Outerworlds is part of Current Speed, a series of contemporary art exhibitions that introduce the Kentuckiana community to new and emerging artists as well as celebrated mid-career artists previously underrecognized in the region. Current Speed exhibitions are open to the public and included with general museum admission. The series is initiated and organized by Tyler Blackwell, Curator of Contemporary Art at the Speed Art Museum.

Born in Baghdad, Iraq, and now based in Louisville, artist Vian Sora (b. 1976) creates dazzlingly layered abstractions that channel the turbulence of history, memory, and the natural world. Outerworlds—her first solo museum exhibition in the United States—assembles major works from the past ten years, charting her transformation into one of today’s most distinctive voices in painting.

Sora’s practice emerges directly from lived experience. Having grown up amid the Iran-Iraq War, the Gulf War, and the U.S. invasion of Iraq, she witnessed the devastation of her homeland firsthand. Forced to leave Iraq, she eventually resettled in Louisville, Kentucky, where her practice has flourished.

Vignette: Julio Cesar Rodriguez

"Infinity Wings" by Julio Cesar Rodriguez,  Oil on canvas, 18X14in,  2017, POR

Julio Cesar Rodriguez’ surrealism is pure, in that it derives from an openness bordering on out-of-body experience: “When I'm painting I feel my mind is opened as a theater stage and my staging begins to establish itself with its own lights and shadows, colors and strokes…and then going to bed trying to sleep with that huge dark hat is the night. It is in this process where I feel still perched at that stage - floating in my paintings.”

We also are tempted to describe these most recent paintings as moving more into abstraction. The traditional surrealist’s descriptive precision with objects, time, and space has not been totally abandoned, but the vigorous kinetic swirl of his compositions partially obscure those elements, and our eye focuses on the few instances of representational clarity. The bird’s head from “Infinity Wings”, for example, or the self-portrait from “The Saved Essence of My Soul”, which makes explicit the feeling of theatricality the artist mentions. The figure might be onstage, or he might be painting a scenic design backstage.

It all reinforces the concept of alternate reality that is a keystone of the surrealist aesthetic. But the images are more than that label would allow. Rodriguez describes his work as, “a mixture of figuration and expressionism with an air of surrealism.” So we also witness his abstraction regroup into suggestions of the representational, as in “Muse Face”.

"The Saved Essence of My Soul" by Julio Cesar Rodriguez,  Oil on canvas, 48X36in,  2018, POR

“When I am creating I feel locked up in a cage with clouds. They help me hold on to the tightrope of real life and it is then that I feel the exact balance with the doors of my intellect. My love for painting holds me, makes me play attached to a brush, and it is the only time where the magicians’ savor their perfect trick.”

Rodriguez’ new solo exhibition Divine Shadows, opens on April 7th in the Revelry Boutique Gallery, with a reception that evening 7:00 to 10:00 pm, and will continue through the month of April.

Hometown: Holguin, Cuba
Education: BFA, Fine Art Academy, Holguin, Cuba
Gallery Representation: Revelry Boutique Gallery
Website: www.juliocesart.com

 

Scroll down for more images

"Muse Face" by Julio Cesar Rodriguez,  Oil on canvas, 15X15in,  2018, POR

"Spring Call" by Julio Cesar Rodriguez,  Oil on canvas, 16X20in,  2017, POR

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Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved.

Vignette: Susan Dworkin

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“You must open yourself to communing with the desires of the paint and flow with it.” — Susan Dworkin

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"Tangled Up In Blue" by Susan Dworkin, 32x24in, vinegar paint (2015)

Susan Dworkin has been experimenting with colonial painting techniques for fourteen years. Her current endeavor is adapting vinegar painting from its traditional use on flat wooden surfaces to other mediums. Historically used as a means of making common and inexpensive woods appear to be more valuable materials, such as metal, Dworkin experiments with the technique to create unique abstract compositions.

To date, she remains one of the pioneers in this venture, continually exploring and adapting the technique via artist board, foam core, metal, paper, glass, and mirror. “The nature of vinegar paint produces a multilayered spectrum of color that combines elements of impressionism, surrealism and lyrical abstractionism, explains Dworkin. “To work with this medium you must open yourself to communing with the desires of the paint and flow with it.” Her paintings are suggestive of rich landscapes and fantasy realms that allow the viewer to formulate their own personal vision. In one of her previous lives, Dworkin was a private estate gardener in Rhode Island and Massachusetts and finds color inspiration from those gardens and settings, as well as her many travels. She has lived in Lexington, Kentucky since 1989.

"Joy" by Susan Dworkin, 15x12in, vinegar paint (2017)

2017 has been a busy year for Dworkin, with solo exhibits at The Bar Complex, and the Hunt Morgan House, Bluegrass Trust for Historic Preservation, both in Lexington, Kentucky, and for the month of September she will have another solo show at the John G. Irvin Gallery, also in Lexington. In April 2018 she will be part of a group exhibit at ArtConnects in Lexington.

Dworkin has work in private collections in Lexington, KY, Chicago, IL, St. Petersburg, FL, and Tryon, NC.

Hometown: Lexington, Kentucky
Education: BA, Roger Williams University, Bristol, RI
Social Media: www.facebook.com/DesignsbyDworkin 

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

"Toska" by Susan Dworkin, 28x23in, vinegar paint (2017), $650| BUY NOW

"Play" by Susan Dworkin, 25x37in, vinegar paint (2017), $650 | BUY NOW

"The Call" by Susan Dworkin, 33x27in, vinegar paint (2017), $850 | BUY NOW

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