Artists Talk with LVA: March 12, 2026

The 2026 LVA Honors is on March 20th, and two of the honorees, Robyn Gibson & Tom Pfannerstill, join us in the studio. Tune into Artists Talk with LVA on WXOX 97.1 FM at 10 AM every Thursday.

Robyn Gibson is an emerging artist, curator, and podcaster living and working in Louisville, KY. After she started boxing in 2016, Gibson began incorporating it into her art practice. Larger-than-life-sized bold, gestural charcoal figures on canvas, a lyrical writing style meant to pack a punch, and voluptuous ceramic vessels inspired by her own curves all convey the movement and force important to her work and inspired by her boxing practice. The act of taking up space and claiming ownership of it is important to her work. As a Black artist focused on self-portraiture and the exploration of her trauma, Gibson grapples with Black identity, the depiction, perception, and value of Black bodies, and what it means to be authentic. She is also the host of the podcast, WheelHouse Art’s Art by Volume, presented by the Wine Room. 

For nearly four decades as a full-time studio artist, Tom Pfannerstill has transformed overlooked everyday objects—trash, food, clothing, paintbrushes, and waste—into astonishing hyper-realistic sculptures. His work challenges viewers to reconsider consumerism and the byproducts of human consumption, often requiring a second glance to distinguish art from reality. Tom has exhibited nationally since 1990 and is the recipient of a prestigious Kentucky Arts Council fellowship. His work is held in major collections including the Flint Institute of Arts, Bellarmine University, and the Evansville Museum of Arts and Sciences. Based in Louisville, his enduring practice continues to influence generations of artists.

Artists Talk with LVA: February 19, 2026

Matt, Tim, & Dawn

The 2026 Art in City Hall exhibit is now open, and this week our guests are 3 of the artists: Dawn Della Bella, Matthew Hagan, & Tim O' Connell. Tune in to WXOX 97.1 FM / Artxfm.com each Thursday at 10 am to hear Artists Talk with LVA.

Dawn Della Bella was raised in San Diego, California, but she and her family moved to Louisville in 1994. She and her husband both worked for the Archdiocese of Louisville for over 25 years and retired together in 2022.  Now, I spend all of my free time painting. 

Tim O’ Connell took a 20-year sabbatical from art in the 90s to coach volleyball. First at Male High School, then at DuPont Manual. Art filled the void after he retired. Since then, he has been selected to display at the Kentucky Bourbon Festivals, and, more recently in the Galt House East.

Matthew Hagan is an accountant by trade and also a landscape and wildlife photographer. He lives in Louisville, KY, with his wife and two daughters. He and his family love the great outdoors and can often be found hiking, kayaking, and traveling. Matthew is also an avid fisherman, and when not working or with his family, can usually be found wading in a stream or on a river.

The 2026 Art in City Hall exhibit runs through January 2027 at Metro Louisville’s City Hall. This year’s exhibition also includes work from Sheila Fox and Isabella Corine.

Artists Talk with LVA: February 5, 2026

This week's guest, Aurora Noctua, recently exhibited at Grady Goods + Artpunk Gallery. Tune in to WXOX 97.1 FM / Artxfm.com each Thursday at 10 am to hear Artists Talk with LVA.

Aurora Noctua is a Kentucky native and local Louisville artist, writer, and designer. Her favorite medium is traditional pen and ink, coupled with mixed media techniques. Her hobbies are martial arts, video games, biking, hiking, writing, playing violin, and running the occasional Dungeons and Dragons campaign

"Ad Astra Per Aspera" Aurora Noctua's First Solo Show was at Grady Goods + Artpunk Gallery through Jan 31, 2026.

Artists Talk with LVA: January 22, 2026

Terry Spangler Dunham & Charlotte Pollock discuss their upcoming exhibit at Pyro Gallery on Artists Talk with LVA on WXOX 97.1 FM / Artxfm.com.

Terry Spangler Dunham’s current work focuses on images that evoke a sense of sanctuary, places that feel restful and inspiring. She holds a BFA degree in drawing from Kansas State University and a BA from Pennsylvania State University, with an emphasis on drawing and photography. Her current body of work is acrylic painting, some mixed media, and drawing.

Charlotte Pollock received her Bachelor of Fine Arts from the University of Louisville, Major: Studio Art, Louisville, Kentucky, and also studied at The Marchutz School of Art, Plein-air painting, Aix-en-Provence, France. She has twice received Great Meadows Foundation Travel Grants, including a trip to the Venice Biennale, Venice, Italy. 

Homegrown Stories, new work by Terry Spangler Dunham with guest artists Charlotte Pollock & Sherrie Spangler, opens at Pyro Gallery on January 31st with a reception from 5 - 8:30 pm. There will also be a Gallery Talk and demo on February 1 beginning at 1:30 pm.

Artists Talk with LVA: January 1, 2026

Tori Christensen joins us in the studio to discuss her upcoming exhibit at The Little Loomhouse on Artists Talk with LVA on WXOX 97.1 FM / Artxfm.com this Thursday at 10:00 AM.

Tori Christensen’s The Colors of Darkness, A Touchable Art Show will be at The Lou Tate Gallery at The Little Loomhouse from January 10 through February 21.

Tori Christensen is a tactile fiber artist who creates accessible art geared toward those who are Blind. Her art can be seen AND felt.  This is in honor of her brother, who lost his sight at a young age. She is an art teacher, seamstress, and all-around maker! 

This show explores the intersection of touch, language, and textiles. In this series, I weave original poems by Feather Chelle, a blind author and advocate, directly into tapestries using beads as braille dots.

These pieces invite viewers to engage with art beyond sight alone. By integrating braille into fiber, I aim to honor the way blind readers navigate the world. The poems themselves speak of color, connection, and the richness found in the sensory experience.

This collaboration celebrates accessibility as a creative force, not an afterthought. It asks the viewer to slow down, read, and touch. Each tapestry becomes a meeting place between artist and poet, word and material, and sighted and non-sighted audiences.

In weaving these poems into cloth, I hope to create a shared space where color can be felt, language can be honored, and art can be inclusive.