biography

Painting

Vignette: Charlotte Pollock


"The mind includes more than intellect. It contains a history of what we learn through our feet. It grasps the world that meets the eye, the city we know through our legs, the places we know in our hearts, in our guts, in our memories, and in our imaginations. It includes the world we feel in our bones." - E. V. Walter


Painter, Charlotte Pollock

Painter, Charlotte Pollock

Charlotte Pollock doesn’t just paint what is in front of her. Some landscape painters may, in fact, be documentarians; capturing with accuracy the details of color and light they find before them, but for Pollock, the choice of subject has specific meaning for her: “This series is the result of my desire to understand the meaning of place and its relationship to self. I paint places that emotionally resonate within me as a way to map my biography. Light and color articulate mood and combine with my paint application to make an interior world accessible to the viewer.”

“A sense of place,” is an elusive phrase that can be parsed many ways, but when we speak of art, we are trying to describe how an individual point-of-view of one moment in time might attempt to communicate ineffable aspects of a location. The artist doesn’t create a picture-postcard; instead they share their own unique experience and understanding of a given place, which may be markedly different than the viewer’s experience. It may also strike unexpected chords of universal experience - anything is possible. The E.V. Walter quote that partly inspires these paintings perhaps says it best: “It includes the world we feel in our bones.”

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

For Pollock, these paintings occupy the realm of autobiography, but on her own terms. What you may glean about the artist from these pieces will not be a complete picture, but what is there to discover just might only be available through her work.

Pollock’s solo exhibition, Lore & Landscapes, opens June 2 at Art Sanctuary with a reception that evening, 5:30-9:30pm. Reception is FREE, family-friendly, and open to the public. Refreshments will be available for purchase.

She also has work in On the Waterfront and Beyond through July 29 at the Jane Morgan Gallery in Louisville.

Hometown: Louisville, Kentucky
Age: 26
Education: BFA, Allen R. Hite Institute, University of Louisville
Website: http://www.charlotteannpollock.com

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Photography

Vignette: Charles Mintz


“Hardware stores are about self-reliance and culture that values results rather than shiny new things. In today’s world, they are survivors.” — Charles Mintz


"Cedar Center Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

"Cedar Center Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

As we make the world shiny and new with urban renewal and fashionable shopping malls, there is still a network of old-fashioned hardware stores located in American communities. The counters are aged; once sharp corners worn to a nub, yellowed tile floors, the glare of fluorescent lights on plastic packaged merchandise filling every square inch of space, so that the color of the walls remain a mystery. Photographer Charles Mintz has been documenting these archetypal exemplars of the American character for the last few years, searching out the rustic and utilitarian businesses wherever he travels.

As is his custom, Mintz uses a large format film camera with interior exposures ranging from one to six minutes. He explains how it serves to break the ice with his subjects:  “Though ungainly, the camera is appreciated by the owners, who gave their permission for the project, and allows some control over focus and perspective. The project is a continuation of work exploring the Great American Dream and the meaning of home. Hardware stores are where we go to fix things - to make things. They are about self-reliance and culture that values results rather than shiny new things. In today’s world, they are survivors.”

"Heuser Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

"Heuser Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

“All of my work is about things that are important to me. It is built around my biography but is not about me. Rather it is about the culture of my time and place. It is intended to make you feel and to make you think, though it is not didactic. While this project is not traditional portraiture, it pictures the people that own, operate and shop in these stores. In addition, we can see both common elements and hints of where we are. There is a sense of belonging, a sense of place. To the extent possible, I want the subjects to speak for themselves with a minimum of my interpretation.”

Since becoming a full time photographer in 2008, Mintz has explored portraiture through objects and locations: The Album Project, Precious Objects and, still in progress, Costumes. Even Every Place – I Have Ever Lived, where people in the images are largely unrecognizable, is uniquely personal, beginning with my childhood home that was in foreclosure and continuing in all my lifetime neighborhoods the work has become less traditionally photographic both in form and method.

"Hollywood Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

"Hollywood Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

Mintz was Artist in Residence at the Kala Art Institute in Berkeley CA in March 2016, and he was was awarded an Ohio Arts Council Individual Excellence Award for 2015. His work can be found in museums, including the Smithsonian Museum of American History, private and corporate collections in North America, Europe and Asia.

Trillium Books, an imprint of The Ohio State University Press, published his latest book, “Lustron Stories”, in 2016. The Lustron series was exhibited at LVA’s PUBLIC Gallery in Louisville in 2015.

Hometown: Cleveland, Ohio
Age: 69
Education: Mintz studied photography at Maine Photographic Workshop, Parsons School of Design, the International Center for Photography, Lakeland Community College and Cuyahoga Community College. He has a BSEE from Purdue University and an MSEE from Cleveland State University.
Gallery Representation: 1point618 Gallery
Website: www.chuckmintz.com

"Krays Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

"Krays Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

"Rodeo Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

"Rodeo Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2016), $1000 | BUY NOW

"Rutledge Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

"Rutledge Hardware" by Charles Mintz, 32 x 40in, Inkjet Print From Scanned FIlm (2015), $1000 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.