aerial view

Painting

Vignette: Lynn Dunbar Bayus

“Painting is my divine connection with nature” – Lynn Dunbar Bayus

"Twisting the Night Away" by Lynn Dunbar Bayus, Oil canvas paint, 20x60in, $3500

"Twisting the Night Away" by Lynn Dunbar Bayus, Oil canvas paint, 20x60in, $3500

Lynn Dunbar Bayus is not alone in realizing a spiritual relationship with nature through painting. Idyllic days of painting free from the elements is a rare occasion, with wind rain, dust - temperatures too far down or to far up on the barometer. The plein air artist works quickly against the vagaries of the constantly changing light, hoping to capture the ephemeral experience of one moment in one place. A sense of place is the inarguable gold standard of any landscape artist, and finding a fresh point-of-view is the challenge.

One way in which Bayus has done that is to work from aerial photographs of the landscape along the Ohio River. Although there is charm and abundant color of her closer views of gardens, racehorses, and other subjects, there is another kind of visual power in the aerial compositions, more expansive and philosophical in their attitude. They allow a perspective nearly devoid of the footprint of humanity, one in which time and the elements played a crucial role in shaping the relationship between land, water, and sky. It is also an opportunity for us to consider for a moment the primeval aspect of the landscape and the humility we should feel in the grand scheme of things.

"Crested Butte Barn and Cows" by Lynn Dunbar Bayus,  Oil on canvas, 8x10in, POR

"Crested Butte Barn and Cows" by Lynn Dunbar Bayus,  Oil on canvas, 8x10in, POR

The more common view of buildings and livestock that we see in “Crested Butte Barn and Cows” is prosaic, falling somewhere between the majesty of the river seen from above and the grounded, eye-level scenes of horse and jockey, or visitors to the racetrack. The former captures a scene that might be from any point in the last 200 years, while latter is of a fleeting moment in the now, tied to fashion and special occasion.

In September Bayus will be part of two exhibits with Louisville Visual Art. September 23 through November 4 Louisville Artists: Carry On will be on view at the LVA building, with a reception Sunday, September 23 from 3-5pm. Then the LVA Juried Exhibit in the 2018 Portland Art & Heritage Fair will take place on Saturday, September 29. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

Bayus will be once again be participating in Open Studio Weekend (OSW), presented by LVA and the University of Louisville's Hite Institute. For 2018, OSW is scheduled for November 3 & 4 from 12-6pm. You can purchase tickets here.

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Bayus’ artwork is featured on the 2018 Kentucky Derby and Oaks Posters available at Churchill Downs, and will be featured on the 2018 Holiday Edition of Woodford Reserve Bourbon. Other awards include Award of Merit 2016, Owensboro Museum of Art, Science and History, Grand Prize Portland Heritage Arts Show 2014, honorable mention at the Salon International 2013, the 2012 Purchase Prize from the Owensboro Museum of Art, and the 2011 Grand Prize from the Louisville Women's Club, and work is featured in the September 2017 Plein Air Magazine, and in American Art Review.

Memberships include Signature Status of American Impressionist Society, Indiana Plein Air Painters and Painters of the Bluegrass.

Hometown: Gary, Indiana
Education: MSSW, University of Louisville; BA in Visual Design, Purdue University
Website: http://dunbar-art.com/
Gallery Representative: Point Gallery, Prospect, Kentucky; Kentucky Gallery, Louisville, Kentucky

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"Belle and Lincoln Bridge" by Lynn Dunbar Bayus, Oil canvas paint, 18x18in, $1200

"Belle and Lincoln Bridge" by Lynn Dunbar Bayus, Oil canvas paint, 18x18in, $1200

"Vine Street after Rain" by Lynn Dunbar Bayus, Oil on canvas, 5x7in, 2018, POR

"Vine Street after Rain" by Lynn Dunbar Bayus, Oil on canvas, 5x7in, 2018, POR

"Black Eyed Susans" by Lynn Dunbar Bayus, Oil on canvas, 12x24in, 2018, POR

"Black Eyed Susans" by Lynn Dunbar Bayus, Oil on canvas, 12x24in, 2018, POR


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Art [squared] Spotlight: Billy Hertz

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To celebrate the 5th Anniversary of LVA’s Art [squared] Event to Benefit Children’s Fine Art Classes, we will feature five local artists who are contributing 24” x 24” paintings to be sold at the event through a Silent Auction. Today we spotlight Billy Hertz:

“My paintings of landscapes have become far removed from any traditional definition of that genre; yet they still maintain a slender but sustaining thread to the concept of representational image. I paint "ariel" views of farmland - the furrows of plowed fields are sometimes rendered as transparent textures.” 

"Pink Cloud at Sunrise" by Billy Hertz, Mixed media painting, 24x20x1in, 2017, POR

"Pink Cloud at Sunrise" by Billy Hertz, Mixed media painting, 24x20x1in, 2017, POR

Hertz has exhibited all over the United States, and in Germany, Italy, and Russia, and his work is included in several private collections.

“My fascination with the dark, fertile earth of cultivated fields led to loose interpretations of the landscapes; this manipulation into near abstraction by unorthodox perspectives i.e. Clouds and fields occupying the same plane and geometric shapes are built from layers of oil washes.” 

“The determined physicality of the color fields is accentuated by a collage element, so that the terrain is rendered with a dash of topical relief that introduces a new element to my vocabulary.”

“The blurring of naturalism and non-representational in the imagery obfuscates the intention enough to create some mystery in a subject usually thought of as straightforward (the landscape) and hopefully seduces my viewers into completing the narrative for themselves.”

In addition to his own inestimable work as an artist, Hertz has been a gallery operator for more than 20 years, and was an early pioneer in transforming the near east downtown area of Louisville, KY that is now known as the NuLu district. Galerie Hertz now operates in the Smoketown neighborhood of Louisville.

"Garden Plot #1" by Billy Hertz, Oil pencil on panel (painting), 12.5x16.5x3.75in 2017, POR

"Garden Plot #1" by Billy Hertz, Oil pencil on panel (painting), 12.5x16.5x3.75in 2017, POR

Hometown: Boynton Beach, Florida

Education: BFA in Ceramics, Florida Atlantic University, 1972; 1974 Post Graduate, Painting, Florida Atlantic University Painting, University of Louisville, Post Graduate Painting
Website: www.galeriehertz.com

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"Seaport" by Billy Hertz, Oil pencil on panel (painting), 16x20x3.75in, 2016-17, POR

"Seaport" by Billy Hertz, Oil pencil on panel (painting), 16x20x3.75in, 2016-17, POR

"Fields #2" by Billy Hertz, Oil pencil & foam core on panel mixed media painting 16x201in, 2017, POR

"Fields #2" by Billy Hertz, Oil pencil & foam core on panel mixed media painting 16x201in, 2017, POR

"Fields Meet River", by Billy Hertz, Oil & pencil (painting) on panel, 20x24x3.75in, 2017, POR

"Fields Meet River", by Billy Hertz, Oil & pencil (painting) on panel, 20x24x3.75in, 2017, POR


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Shawn Marshall

"Cabin View 1" by Shawn Marshall, Oil on Canvas, 30x40in, 2018, POR

"Cabin View 1" by Shawn Marshall, Oil on Canvas, 30x40in, 2018, POR

When Shawn Marshall was inspired to paint the view from an airplane window, we might assume that it was a rainy flight, with hopefully not too much turbulence, because Marshall’s balance between abstract and representational might suggest an overhead perspective on landscape through a rain-smeared pane of glass: the details are blurred, and the contours defining the roads and fields below are elusive, hard to pin down.

Abstraction makes you look harder at things. The central question in the viewer’s mind becomes - what do I see? The more cynical might phrase the question differently: what am I looking at? Yet one might offer that to be demand that art explain itself to you is actually the lazy approach. Marshall challenges the viewer, enticing them with just enough discernible representation, but layering a veneer of abstract expressionism between them and her subject, built with a heavily textured impasto that forces an immediate visceral relationship with the surface. Paint is always seductive.

"Listless" by Shawn Marshall, Oil on Canvas, 24x24in, 2018, POR

"Listless" by Shawn Marshall, Oil on Canvas, 24x24in, 2018, POR

“I create a three-dimensional surface on the canvas; always striving for balance between the layers of impasto and the underlying landscape beyond.” – Shawn Marshall

The bisected compositional structure, normally recognizing the natural horizon line encountered in the open, rural landscape, remains in these airborne point-of-view, Marshall’s eye always finding a road or river that cuts through the quadrants of fields and developments below.

Marshall was awarded First Place in the 2017 MAZIN Juried Art Exhibition that just closed at The Patio Gallery at the Jewish Community Center in Louisville, Kentucky, and she is about to open a solo show at Craft(s) Gallery & Mercantile in Louisville that will run from March 2 through 31, with an Opening Reception March 2 from 6:00-10:00pm.

Her work is in numerous private collections including PNC Bank, Pittsburgh, PA, Commonwealth Bank, Louisville, KY, and the University of Kentucky Medical Center, Lexington, KY.

Hometown: Louisville, Kentucky
Education: 1992, Bachelor of Architecture, University of Kentucky, Lexington, KY; 1996, Master of Architecture, Minor Fine Arts, Cornell University, Ithaca, NY; 2009, Master of Art in Teaching, Bellarmine University, Louisville, KY
Website: www.shawnlmarshall.com
Gallery Representation: Pyro Gallery (Louisville),  New Editions Gallery (Lexington), Yust Gallery (Cincinnati)

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"Cabin View 2" by Shawn Marshall, Oil on Canvas, 30x40in, 2018, POR

"Cabin View 2" by Shawn Marshall, Oil on Canvas, 30x40in, 2018, POR

"The Passage" by Shawn Marshall, Oil on Canvas, 30x48in, 2017, POR

"The Passage" by Shawn Marshall, Oil on Canvas, 30x48in, 2017, POR

"Bleeding Rock" by Shawn Marshall, Oil on Canvas, 20x24in, 2017, POR

"Bleeding Rock" by Shawn Marshall, Oil on Canvas, 20x24in, 2017, POR

"Winter Field" by Shawn Marshall, Oil on Canvas, 36x48in, 2018

"Winter Field" by Shawn Marshall, Oil on Canvas, 36x48in, 2018


Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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