vintage

Painting

Vignette: Tom Cannady

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

Tom Cannady describes his paintings as, “nostalgic representations of Americana,” and he has expressed that notion primarily through the use of mid-20th century automobiles, vacation images, and signs. Iconic images filled with the sunlight and faux innocence of Frankie Avalon and Annette Funicello.

There were often people before, but they were typical – middle class Americans living the dream on a hard-earned vacation, but in newer work, Cannady introduces some of the same over-exaggerated quality that we find in the 1950’s cars: sleek, fins and detailing that call attention to themselves and remind us of a time when how a car looked mattered more than fuel efficiency, into human female figures. “They Went That Away” highlights the kind of emphatic sex symbol of the period, while “Scooch Over” completes the relationship between objectification of women and automobiles that has never left us, but which was in much greater bloom at this seminal moment.  

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

Cannady creates paintings in what he describes as, “a pop impressionist style creating new perspectives or recreating unique moods from another time. I use vintage photographs acquired from multiple sources as reference points and inspiration. Many were originally printed in black & white, which gives me complete freedom to choose the pallet best suited to the composition. I lean to warm, bright hues with strong contrast.”

Cannady is currently showing works at Makers Crucible Showroom and Craft(s) Gallery & Mercantile in Louisville, Kentucky. In November 2016 he was selected as one of twenty artists representing the sixty participants in the LVA Open Studio Weekend in a group show of work at the University of Louisville, Hite Gallery.

Hometown: Louisville, Kentucky
Age: 59
Education: BS in Marketing and a minor in Art, Murray State University
Website: http://www.tjcannady.com

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

Cannady's studio

Cannady's studio

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting, Mixed Media

Feature: Keeping It Weird For The Holidays

Revelry Gallery located at 742 E Market Street, Louisville, KY 40202

Revelry Gallery located at 742 E Market Street, Louisville, KY 40202

“Buy Local” has become a rallying cry in American communities in the last several years, and with good reason. As outlined by the Louisville Independent Business Alliance (LIBA), the impact on local economy is obvious, but that impact extends to environmental and philanthropic ideals that are equally important. Businesses that market the work of local artists may not be the first local business that comes to mind, but Revelry Boutique Gallery exemplifies the points in the LIBA checklist. All of its products are Kentucky-made, its gallery space has become a spotlight location for local artists, and the owner, Mo McKnight Howe, has emerged as a community leader who works tirelessly in support of cultural non-profits (full disclosure: Ms. Howe serves on the board of Louisville Visual Art). As the intense holiday shopping season is now upon us, it is important to take note of the range of local creations available. Three Revelry artists provide examples of the range of unique gifts available.

"Scenes Of The Seasons" by Kevin Oechsli, Mini Paintings, Acrylic on Wood (2016), $30 Each

"Scenes Of The Seasons" by Kevin Oechsli, Mini Paintings, Acrylic on Wood (2016), $30 Each

Kevin Oechsli

For a holiday founded on the most sacred of events in Christianity, Christmas has become surprisingly characterized by lightness and humor. The debate that the holiday has become overwhelmed by materialism has continued for decades and will likely continue for decades more, but some that feeling is founded, appropriately, in the innocence of children. The good will and jolly tone of the iconic Santa Claus figure never fails to find welcome at this time of the year, and Santa always seems to have good sense of humor about himself. Artist Kevin Oechsli’ s perennial series “Scenes of the Season” takes full advantage of this quality by placing an uncharacteristically athletic St. Nick swimming underwater, surfing a high wave, or airborne on a snowboard. It should not come as any surprise that the generous and beneficent figure should enjoy himself to the fullest, but that he is never seen except in his traditional red and white costume just might.

Hometown: Louisville, Kentucky
Age: 55

"Three Wise Men (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Three Wise Men (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Santa, Sled, and Reindeer (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Santa, Sled, and Reindeer (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

Various Works by Wood & Twine, wood, string (2016)

Various Works by Wood & Twine, wood, string (2016)

Wood & Twine

An emphasis on “local” artists and craftspeople might not require motifs unique to Louisville, but perhaps it is inevitable that at the intersection of creativity and commerce we find community pride. Melody Niemann and Jessica England, who together form the team Wood & Twine, make no bones about their love for their hometown: “We feel that it is important to represent Louisville and its distinct culture in our artwork. This can be seen in pieces such as Kentucky, Louisville Skyline and Fleur de Lis. Our participation in the Louisville art scene, such as the Flea off Market, Deck the Walls, Cuteopia!, and local charity events, exemplifies the importance we place on giving back to the city that raised us.”

The simple appeal is not dissimilar to folk art, one of the virtues of which is the ability to connect on straightforward level with a wide audience. “Our artwork takes a very unique approach to utilizing raw materials. Using wood, nails and twine, we are able to create distinct pieces with an unprocessed and rustic, yet simple feel. Our work is very accessible to all, available in a variety of sizes and designs. And no two pieces are exactly the same, making each a one-of-a-kind staple for the home.”

Name: Melody Niemann and Jessica England (Wood & Twine)
Hometown: Louisville, Kentucky
Age: 23 and 25
Education: BA in Marketing, with Minors in Communications and Management, University of Louisville (both)
Website: https://www.instagram.com/woodntwine/

“Louisville Skyline” by Wood & Twine, 16x12in, wood, string (2016), $75 | BUY NOW

“Louisville Skyline” by Wood & Twine, 16x12in, wood, string (2016), $75 | BUY NOW

“But First, Bourbon” by Wood & Twine, 6x8in, wood, string (2016), $35 | BUY NOW

“But First, Bourbon” by Wood & Twine, 6x8in, wood, string (2016), $35 | BUY NOW

“My Old Kentucky Home” by Wood & Twine, 8x6in, wood, string (2016), $35 | BUY NOW

“My Old Kentucky Home” by Wood & Twine, 8x6in, wood, string (2016), $35 | BUY NOW

"Inspiration Bracelets" by Gretchen Leachman

"Inspiration Bracelets" by Gretchen Leachman

Gretchen Leachman

Gretchen Leachman works in a variety of mediums, but the majority of her time is spent in jewelry design, mainly working with metal, wire, and gemstones. Some of the pieces are plaintive and understated, such as the necklace charms we see here, but others are more intricate and luxurious in their impact. “I pay close attention to creating pieces that will have meaning for the person wearing it,” explains Leachman.

She is currently involved in several pen & ink projects as well. “One of my current favorites involves collecting a series of words from family members about their home and family life … then using those words to depict a drawing of their house. Thoughts & feelings are the heart of what makes each home unique and loved, and I want to capture that as a reminder to those living there.”

“I love art. I always have. I fully support the theory that art should be fun and inspirational, and that is what I want to bring out in everything I do. It is my goal to make a connection with each individual, providing a small reminder of inner strength, joy and empowerment. Everyone has greatness and worth. Sometimes we just need a tangible reminder that we are, indeed, enough.”

Hometown: Louisville, Kentucky
Education: SHA 1990; BA, Advertising, Western Kentucky University 1994
Website: http://www.GretchenLeachmanDesigns.com

"Symbols Of Peace Made With Vintage Safety Pins" by Gretchen Leachman

"Symbols Of Peace Made With Vintage Safety Pins" by Gretchen Leachman

"Hammered & Stamped Necklaces" by Gretchen Leachman

"Hammered & Stamped Necklaces" by Gretchen Leachman

Other artists to be found at Revelry include painters Bob Lockhart, Julio Cesar, Melissa Crase, Ewa Perz, Joshua Jenkins, Erik Orr, and Gibbs Rounsavall, jewelry makers Rachael Erickson and Lindsay Hack, and household crafts by Ashleigh Anthony, DayNa Gliebe, Paul Nelson and Mark McGee, just to name a few.

Mo McKnight Howe, Molly Huffman and Major Hanging Out At Revelry Gallery.

Mo McKnight Howe, Molly Huffman and Major Hanging Out At Revelry Gallery.

In Louisville, the Buy Local catchphrase is “Keeping Louisville Weird,” which captures the unique tone of the River City’s celebration of the individualism of locally owned businesses. Flair and eccentricity are part and parcel of the experience, in which the idiosyncratic personalities of the owners are a crucial part of the identity of the enterprise. When you visit Revelry this holiday season, you also will meet Mo, Molly, and Major (the official greeter), and that personal connection to the community they represent gives added value to the shopping experience and deeper meaning to the act of giving.


This Feature article was written by Keith Waits.
In addition to his work at the LVA, Keith is also the Managing Editor of a website, www.Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.


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Mixed Media

Vignette: Jacque Parsley


"The waste of the world becomes my art." - Kurt Schwitters


A photograph of Parsley in her studio.

A photograph of Parsley in her studio.

Jacque Parsley claims this is her favorite quote, and it speaks to an aspect of the lives of artists that bears a spotlight: that long before it become fashionable or socially conscious to recycle, artists were repurposing all kinds of materials. It is a part of their DNA to see potential in things discarded by others.

For Parsley, this manifests it self in collage techniques that incorporate previously used elements. Her sculptures are constructed from a range of odds and ends, but the doll parts are a signature motif for her. Gentle and childlike, but also full of the connotations of dread, menace, and the tragic loss of innocence that have attached themselves to dolls that have been relegated to the dumpster.

"Superb Hibiscus" by Jacque Parsley, 18x15x1in, mixed media collage (2016), $300 | BUY NOW

"Superb Hibiscus" by Jacque Parsley, 18x15x1in, mixed media collage (2016), $300 | BUY NOW

The artist alludes to exactly such associations: "Collage to me is like a visual daydream. It is serious play. You delve into your subconscious, and let your intuition take over. When you come out of ‘the zone’ you make rational corrections.”

In her new 2D mixed media pieces the collection of disparate imagery speak to the power of memory, which collage is perfectly suited for. “I use the flotsam and jetsam of everyday life, including old photos, vintage postcards, advertising trade cards, and stamps from my father’s stamp collection.”

Parsley’s work will be featured in the upcoming Mix it UP exhibit at New Editions Gallery in Lexington, KY, and in the Day of the Dead show at Craft Gallery and Mercantile in Louisville, KY. 

You can visit Jacque parsley in her studio in Louisville during OPEN STUDIO WEEKEND, November 5 & 6, 2016. The event benefits scholarship programs for Louisville Visual Art and University of Louisville’s Hite Art Institute and tickets may be purchased here

Age: 69 going on 70
Hometown: Memphis, Tennessee
Education: BFA Louisville School of Art; MA University of Louisville; MFA University of Louisville
Website: kentuckyartists.com
Gallery Representation: Craft Gallery and Mercantile, Galerie Hertz

"Miss Grits" by Jacque Parsley, 17x14x1in, mixed media collage (2016), $250 | BUY NOW

"Miss Grits" by Jacque Parsley, 17x14x1in, mixed media collage (2016), $250 | BUY NOW

"I Remember Florence" by Jacque Parsley, 18x15x1in, mixed media collage (2016), $250 | BUY NOW

"I Remember Florence" by Jacque Parsley, 18x15x1in, mixed media collage (2016), $250 | BUY NOW

"Eastern Hemisphere" by Jacque Parsley, 20x17x1in, mixed media collage (2016), $300 | BUY NOW

"Eastern Hemisphere" by Jacque Parsley, 20x17x1in, mixed media collage (2016), $300 | BUY NOW

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.