wood sculptures

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Artists Talk With LVA: September 8, 2022

We speak with J. Daniel Graham & Hannah Smith, 2 of the several artists included in the 2022 KMAC Triennial. Tune in to WXOX 97.1 FM/Artxfm.com each Thursday at 10 am to hear Artists Talk with LVA.

The 2022 KMAC Triennial: Divided We Fall, connects concerns relevant to our geographic region with issues that define the larger national narrative, revealing how our landscape can be a site of conflict and resistance, as well as a place of unity and mutual respect.

Featuring work by Tammy Burke, Jon Cherry, Ceirra Evans, J. Daniel Graham, Ed Hamilton, Bruce Linn, Ebony G. Patterson, José Manuel Nápoles Puerto, Hannah Smith, Norman Spencer, Vadis Turner

The exhibition is officially open to the public until November 6th, 2022.

J. Daniel Graham comes from a family of storytellers. His mother was a basket maker and calligrapher and the lessons of engineering and risk from my dad. He studied Printmaking at the University of Florida and the University of Georgia, where he earned his Masters degree.  Graham also trained as a custom woodworker under woodworker Dennis Sitka in  Washington, D.C.  Currently, he is a Professor of Art and Chair of the Art Department at Georgetown College in Georgetown Kentucky where he teaches a variety of courses including Sculpture, Printmaking, 3D Design, Metal Casting, and Package Design.  

Jdgraham.net

Hannah Smith graduated with an MFA from the School of Art and Visual Studies at the University of Kentucky. They are currently teaching graphic design, printmaking, and sculpture at the University of Kentucky and Northern Kentucky University. Smith is also a Lead Teaching Artist with ArtWorks Cincinnati. They are also an instructor with the GSA in Kentucky.

Smith was honored at the 2022 Future Art Awards: Ecosystem X from Mozaik Philanthropy in Los Angeles, CA.

hannahsmithfineart.com

Mixed Media, Painting, Sculpture

Vignette: Tom Pfannerstill

"Ali Center and River West" by Tom Pfannerstill, 30x45in, acrylic on canvas (2016)

"Ali Center and River West" by Tom Pfannerstill, 30x45in, acrylic on canvas (2016)

Artists are sometimes magicians, creating illusions of space and time. Tom Pfannerstill’s “From the Street” series appear to be trash, candy boxes, fast food cups, oilcans, violently pressed flat by the heavy tread of delivery trucks. The artist finds these items in the street and alleyways, but this is not what you see on the gallery wall. Pfannerstill recreates each cast-off container as carved wood sculptures painted with acrylics.

It is a highly successful trompe l’oeil effect. The notion of picking any of these up by hand in the alley might be distasteful, but the seductive desire to touch the sculptural replication is difficult to control, even if only to verify that they are indeed not the flattened and filthy ‘real thing’. Pfannerstill applies the same approach to recreating objects from around his studio “They have been altered, bent, folded and scarred,” explains the artist, “ …in a word individualized. They touch on issues of commercialism and consumerism, but are mostly intended to be subtle reminders of the temporality of all things.”

"Spring Street Tavern" by Tom Pfannerstill, 19.25x24in, acrylic on canvas (2016)

"Spring Street Tavern" by Tom Pfannerstill, 19.25x24in, acrylic on canvas (2016)

Pfannerstill is most renowned for the painted sculptures, but actually is identified through several different styles and medium. “The work changes often, but I find myself returning again and again to several major areas of investigation; three-dimensional still life, found object works, a series of the human head (in this case, mine), quilts and quilt patterns using un-quiltlike materials, blue paintings, and of late black paintings.”

Now, inspired by flying out of NYC at night, Pfannerstill hs been immersed in a series of paintings of cities at night; darkness punctuated by points of light. The work is not like anything people are familiar from this artist, which is why he is particularly excited about them. 

Pfannerstill currently has a show in Nashville Tennessee at the Cumberland Gallery. He will also be exhibiting with Caroline Waite at Galerie Hertz in Louisville, Kentucky November 13 through December 31, 2016.

Hometown: Louisville
Age: 64
Education: BFA, Western Kentucky University, 1975; School of Hard Knocks, 1975-present
Gallery Representation: Galerie Hertz, Louisville; Cumberland Gallery, Nashville, TN; Jonathan Novak Contemporary, Los Angeles, CA; Ellis-Walker Gallery, Bowling Green, KY; Sager-Braudis Gallery, Columbia, MO
Website: http://www.tpfannerstill.com

"Brillo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Brillo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Eggo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Eggo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Ultimate Lemons" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Ultimate Lemons" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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