Public Radio

Artebella On The Radio: July 16, 2020

Performing artists are unable to take the stage, but John Austin Clark seems to be keeping very busy. He joins us to talk about Bourbon Baroque's NEA grant, the 2020 recipient of the Nicolas Fortin scholarship, and they plan to collaborate with Kentucky Opera, when COVID allows. Tune in to WXOX 97.1 FM, or stream on Artxfm.com each Thursday at 10 am to hear Keith Waits talk top artists on LVA's Artebella On the Radio.

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Louisville native John Austin Clark co-founded Bourbon Baroque with the late violinist Nicolas Fortin. Mr. Clark operates a private piano studio, is an active accompanist and vocal coach, directs musical theatre and opera, and performs regularly with various ensembles and equity theatre houses such as Actors Theatre of Louisville and Gulfshore Playhouse in Naples, Florida.

He is the recipient of the 2017 Young Alumni Achievement Award from his alma mater Louisville Collegiate School in Louisville, Kentucky and a recipient of a Kentucky Governor's School for the Arts Toyota Alumni Grant that he used to apprentice with harpsichord builder Yves Beaupré of Montréal, QC in August 2017. He performs on a variety of keyboard instruments and owns a 2017 Beaupré Italian harpsichord. He can be heard on the Naxos/Centaur label.

Bourbon Baroque
John Austin Clark

Public Radio, Print Making

Artebella On The Radio: July 9, 2020

Rudolfo Salgado, jr. & Susanna Crum of Calliope Arts talk with us this week about a project called C19: Art Works for Kentucky. Tune in to WXOX 97.1 FM, or stream on Artxfm.com each Thursday to hear Keith Waits speak with artists on LVA's Artebella On The Radio

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C19 Art Works for Kentucky
Rudolfo Salgado, Jr. & Susanna Crum

Public Radio

Artebella On The Radio: July 2, 2020

William Mack III & Louis Robert Thompson came to talk The Griot Project and Black theatre in Louisville this week. Tune in to WXOX 97.1 FM. or stream on Artxfm.com each Thursday at 10:00 am to hear Keith Waits talk with artists on LVA's Artebella On The Radio.

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William Nack III is a theatre educator and director and the co-founder of The Griot Project. he is also Church Planter/Pastor at Grace Community Covenant Church.

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Louis Robert Thompson was born in Louisville, Kentucky, USA. He is an actor, singer, and dancer best known for his role as the Veterinarian in Sundance Film Festival breakout The Art of Self Defense. He is also a fixture in the Louisville theater community starring in roles such as Coach in Ghost, John Henry in American Tales, and Xerxes in Esther The Musical.

The Griot Project
Willam Mack III & Louis Robert Thompson

Curatorial, Public Radio

Artebella On The Radio: June 25, 2020

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Public art and public spaces are an important part of the changes happening in our world right now, and Curator Eileen Yanoviak and Artist Brianna Harlan will be talking about these issues this week with Keith Waits. Tune in to WXOX 97.1 FM, or stream on Artxfm.com each Thursday at 10 am to hear artists talk about their work.

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Dr. Eileen Yanoviak has sixteen years of museum experience in development, marketing, curatorial, education, and guest relations. She has worked at the Speed Art Museum and Kentucky Museum of Art and Craft (also known as KMAC Museum), both in Louisville, Kentucky, and the Arkansas Arts Center in Little Rock. She has had a parallel career in higher education as a teacher and administrator for more than a decade at the University of Arkansas at Little Rock and the University of Louisville, among others. She received her doctorate in Art History from the University of Louisville in 2017. Her area of expertise is nineteenth-century American landscape painting, and she is particularly interested in environmental history, American studies, and museum studies. She has presented and published her research nation-wide and is a regular contributor to Burnaway: The Voice of Art in the South.

Brianna Harlan is a multidisciplinary artist and organizer. She works conceptually in multiform, socially engaged art. Her work is driven by an obsession with interpersonal culture and how that influences quality of life, health, and habits. Brianna is a Hadley Creative and Kentucky Foundation for Women Fire Starter awardee. Her most recent residencies were at Oxbow School of Art and Artists’ Residency, Materia Abierta in Mexico City, and Makers Circle in North Carolina. She also leads community experiences and presentations, has been a speaker for organizations like For Freedoms, 21C Museum Hotels, and the KY ACLU. She is currently pursuing her MFA in Art and Social Action at Queens College, CUNY.

Public Art in the Time of Black Lives Matter
Eileen Yanoviak & Brianna Harlan

Drawing

Feature: 2020 Academy at LVA Senior Recognition

Brendan Taylor - Vision Award - $500 cash scholarship
Elizabeth Hill - Portfolio Award - $75 Preston’s gift card
Megan Smith - Community Award - $50 Preston’s gift card
Claire Vicars - Inspiration Award - $25 Preston’s gift card

The journey from 14 to 18 years of age is a time of discovery and finding one’s self; identity forms but doesn’t ever finish. For artists, it is when the simple pleasure of drawing becomes a vital and intentional means of expression. A newly found focus on medium and technique points to the next level of growth and maturity.

As the greatly disrupted schoolyear came to a close, Louisville Visual Art is pleased to have finished out Academy classes online and is proud to recognize the accomplishments of four Academy Seniors.

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Megan Smith graduated from DuPont Manual High School

Because of that interest in identity, self-portraits are common. Megan Smith’s “To The Center” highlights the Pop Art colors of a hard candy sucker in contact with analogously colored lips by allowing the face to remain in black and white. The image balances illusion and reality, surrealism and naturalism, and is striking, simple, declarative, and fun.

Megan will be studying at IUS this fall, majoring in Psychology.

Megan Smith, “To The Center”

Megan Smith, “To The Center”

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Elizabeth Hill graduated from Corydon Central High School

Elizabeth Hill explores the fundamental relationship of structure in nature and how humankind has followed it in design and architecture. Every child anthropomorphizes their toys, seeing a giraffe in every crane, and an elephant or rhinoceros in every earthmover, because their perception remains intuitive. If the observation that adult artists are often trying to reconnect with the innocent perspective of childhood, The playful hybrids seen here suggest that Elizabeth hasn’t yet lost that vital connection, combining a solid design foundation with a fine conceptual wit.

Elizabeth will be a student at the Kentucky College of Art + Design.

Elizabeth Hill, “Mass Destruction”

Elizabeth Hill, “Mass Destruction”

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Claire Vicars graduated from DuPont Manual

Design is prominent in Vicars’ work, most notably a poster for a theatrical production of Antigone that might be the envy of a professional. The imagery is highly evocative of Greek tragedy overlaid with romantic textures, and the visual detail of an errant black line extending up from the title is inspired in how it invited the viewer to complete the allusion to the fiery sun as a balloon, a motif that reflects the conflict between earthly and divine power in the play.

Claire will enter the Hite Art Institute BFA program at the University of Louisville.

Claire Vicars, “Antigone poster”

Claire Vicars, “Antigone poster”

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Brendan Taylor graduated from Eastern High School

Brendan offers evidence of one of the most crucial qualities for the young artist: observation. The detail of texture and color overlays a developing exploration of space and dimension. The connection between seeing and drawing can move to a profound level once the artist liberates themselves from a fixation on mark-making; the ability to get lost in the visceral reality of even a seemingly mundane subject such as a ceramic mug and some fruit. The relationships of the objects include the harsh contrast of very green bananas against the warm wood grain of the table and the analogous color of the mug and the table. The viewer can identify with Taylor’s absorption in the almost forensic study of all of these elements. 

Brendan has applied and was accepted into the University of Louisville Hite Art Institute as a Studio Art Major.

Brendan Taylor, “Kitchen Table”, acrylic

Brendan Taylor, “Kitchen Table”, acrylic


Written by Keith Waits. Entire contents copyright © 2020 by Louisville Visual Art. All rights reserved.

In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.